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Small Talk
Poetry. "In SMALL TALK, Stephan Delbos has accomplished, if not the impossible, the unlikely feat of fusing a Rilkean Romanticism with something like Bunting's al dente concision and taut rhythms, a squaring the circle of a 21st century modern lyric that no one could have predicted. I take great pleasure in it, line by line, whether driven by sharp memories of childhood, or the difficulty of facing the world as a new father; a startling elegy for Charles Bronson, or a subversive homage to Bob Dylan; contemplation of a steel urinal in Dublin, or a door handle in Prague; whether in praise of wind or the winding legends of his native Plymouth; Delbos' imagination is populated by the bright objects of the world in an idiom all his own. With a warmth and humor that's not afraid to run disabused and cold, Delbos hits the road as a winning cosmopolitan of the present particular, a surprising troubadour of the now."--Joshua Weiner
The New American Poetry and Cold War Nationalism
This book examines Donald M. Allen’s crucially influential poetry anthology The New American Poetry, 1945–1960 from the perspectives of American Cold War nationalism and literary transnationalism, considering how the anthology expresses and challenges Cold War norms, claiming post-war Anglophone poetic innovation for the United States and reflecting the conservative American society of the 1950s. Examining the crossroads of politics, social life, and literature during the Cold War, this book puts Allen’s anthology into its historical context and reveals how the editor was influenced by the volatile climate of nationalism and politics that pervaded every aspect of American life during the Cold War. Reconsidering the dramatic influence that Allen’s anthology has had on the way we think about and anthologize American poetry, and recontextualizing The New American Poetry as a document of the Cold War, this study not only helps us come to a more accurate understanding of how the anthology came into being, but also encourages new ways of thinking about all of Anglophone poetry, from the twentieth century and today.
The Absolute Gravedigger
The Absolute Gravedigger, published in 1937, is in many ways the culmination of Va-tÄ>zslav Nezval's work as an avant-garde poet, combining the Poetism of his earlier work and his turn to Surrealism in the 1930s with his political concerns in the years leading up to World War II. It is above all a collection of startling verbal and visual inventiveness. And while a number of salient political issues emerge from the Surrealist ommatidia, Nezval's imagination here is completely free-wheeling and untethered to any specific locale as he displays mastery of a variety of forms, from long-limbed imaginative free verse narratives to short, formally rhymed meditations in quatrains, to prose and even...
Woman in the Plural
In the summer of 1935, Vít?zslav Nezval, already one of the most celebrated Czech poets of his generation, embarked on a period of manic creativity that would result in three volumes of poetry written and published in a two-year span (1935-37), mirrored by three volumes of memoir-like poetic prose. These collections would not only reshape Czech poetry, blending approaches developed by the French Surrealists with national cultural sensibilities and political concerns, taken together they are among the highest achievements of the interwar avant-garde. Each of the three volumes adopted a different principle of Surrealism as its general modus operandi. For Woman in the Plural (1936), the first ...
Rubber Side Down
Poetry. Biker poet? The words don't seem to fit together. But, no so long ago, neither did cowboy poet. Biker poetry was originally meant to be recited and found its way into performance, or slam, poetry, with readings conducted at every major biker rally. Today, the biker poetry movement is alive and spreading quickly in print form, not only in the US, but all around the world.RUBBER SIDE DOWN provides a look inside this movement, not only through the poetry being written by its members, but also through contributions by established poets like Allen Ginsberg, Thom Gunn and Diana Wakoski; essays on the movement's history and evolution; and photography by noted motorcycle photographer Michael Lichter and others.
The New American Poetry, 1945-1960
"Donald Allen's prophetic anthology had an electrifying effect on two generations, at least, of American poets and readers. More than the repetition of familiar names and ideas that most anthologies seem to be about, here was the declaration of a collective, intelligent, and thoroughly visionary work-in-progress: the primary example for its time of the anthology-as-manifesto. Its republication today--complete with poems, statements on poetics, and autobiographical projections--provides us, again, with a model of how a contemporary anthology can and should be shaped. In these essentials it remains as fresh and useful a guide as it was in 1960."--Jerome Rothenberg, editor of Poems for the Millennium "The New American Poetry is a crucial cultural document, central to defining the poetics and the broader cultural dynamics of a particular historical moment."--Alan Golding, author of From Outlaw to Classic: Canons in American Poetry
Inner Sky
We are right at the start, do you see. As though before everything. With a thousand and one dreams behind us and no act. --
A Czech Dreambook
It’s 1979 in Czechoslovakia, ten years into the crushing restoration of repressive communism known as normalization, and Ludvík Vaculík has writer’s block. It has been nearly a decade since he wrote his last novel, and even longer since he wrote the 1968 manifesto, "Two Thousand Words,” which the Soviet Union used as one of the pretexts for invading Czechoslovakia. On the advice of a friend, Vaculík begins to keep a diary: "a book about things, people and events.” Fifty-four weeks later, what Vaculík has written is a unique mixture of diary, dream journal, and outright fiction – an inverted roman à clef in which the author, his family, his mistresses, the secret police and leading figures of the Czech underground play major roles.
Perpetual Inventory
In essays that span three decades, one of contemporary art's most esteemed critics celebrates artists who have persevered in the service of a medium. The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the “post-medium condition”—the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-François Lyotard argued that the postmodern condition is characterized by the end of a “...
My Crazy Century
Spanning six decades that included war, totalitarianism, censorship, and the fight for democracy, My Crazy Century reflects on Ivan Klíma's remarkable life while also looking at this critical period of twentieth-century history. From World War Two to the oppressive grip of Communism, from the brief hope of freedom during the Prague Spring of 1968 to the eventual collapse of the regime in 1989's Velvet Revolution, Klíma's revelatory account contemplates the ways in which this crazy century led mankind astray and impacted the lives of not only Klíma's generation but today's generations still grappling with totalitarian societies. Including an appendix of insightful essays that compliment each chapter - on topics ranging from social history and political thinking to love and liberty - My Crazy Century provides a profoundly rich and moving personal and national history.
