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James Rosenquist
A monograph on the great Pop Art master, James Rosenquist, this book shows how the artist's large-scale works and their source materials remain powerful and relevant as cultural and political commentary. With a background in advertising and painting billboards, James Rosenquist had a unique perspective on the dual effects of imagery and scale on the viewing experience. His colossal pieces are immersive--they surround the viewer and dominate most gallery spaces. In this volume readers can examine his process of creating image-laden abstractions through his source materials. Rosenquist often started with images he'd literally ripped from the pages of print media and which he then transformed i...
Innovation Through Information Systems
This book presents the current state of research in information systems and digital transformation. Due to the global trend of digitalization and the impact of the Covid 19 pandemic, the need for innovative, high-quality research on information systems is higher than ever. In this context, the book covers a wide range of topics, such as digital innovation, business analytics, artificial intelligence, and IT strategy, which affect companies, individuals, and societies. This volume gathers the revised and peer-reviewed papers on the topic "Technology" presented at the International Conference on Information Systems, held at the University of Duisburg-Essen in 2021.
Cologne cathedral window, and 4900 colours
Text by Stephan Diederichs, Birgit Pelzer, Barbara Schock-Werner, Hubertus Butin.
Inventing Abstraction, 1910-1925
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Glitter and Doom
In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity)...
Ludwig goes pop
Ludwig Goes Pop tells the story of Peter and Irene Ludwig's Pop Art collection and its surprising and rapid development during the art-market upheavals of the late 1960s.With its unusual design, the book formally references the spectacular catalogue created by artist Wolf Vostell for the first exhibition of the collection in Cologne in 1968, Art of the Sixties.Artists and contemporaries such as Jim Dine, James Rosenquist, Jasper Johns and David Hockney recount their personal experiences with the Ludwigs and their extraordinary passion for collecting.Photos and documents supplement the comprehensive selection of major works of Pop Art.Published on the occasion of the exhibition Ludwig goes Pop at Museum Ludwig, Cologne, 2 October 2014 - 11 January 2015, and at mumok, Vienna, 13 February - 13 September 2015.English and German text.
Gerhard Richter
Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–WWII Germany, in both broad and very personal terms. This handsomely designed book spans the artist’s rich and varied oeuvre from the early 1960s to the present, including photo paintings, portraits, large-scale abstract series, and works on glass. Essays by leading experts on the artist illuminate Richter’s preoccupation with painting in relation to other modes of representation, and emphasize the ongoing importance of the medium’s formal and conceptual possibilities in contemporary art.
Of 'truths Impossible to Put in Words'
This volume of essays relate Max Beckmann's work to the tangible circumstances of its production and reception. The essays contextualise aspects of Beckmann's early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports and exile.
Medicine Meets Virtual Reality 18
Since the debut of the Medicine Meets Virtual Reality (MMVR) conference in 1992, MMVR has served as a forum for researchers harnessing IT advances for the benefit of patient diagnosis and care, medical education and procedural training. At MMVR, virtual reality becomes a theatre for medicine, where multiple senses are engaged - sight, sound and touch - and language and image fuse. Precisely because this theatre is unreal, it is a valuable tool: the risks of experimentation and failure are gone, while the opportunity to understand remains. Improvement of this tool, through steady technological progress, is the purpose of MMVR. This book presents papers delivered at the MMVR18 / NextMed confer...
Designing Anthropomorphic Conversational Agents in Enterprises
Conversational agents (CAs) increasingly permeate our private and professional lives. In particular text-based CAs in a company context attract interest both internally as well as at the customer interface to provide service or support sales due to their potential for automation while offering the feeling of a human-like interaction. However, their human-like appearance often leads to user expectations that are out of line with the system’s actual capabilities or create feelings of uncanniness. To address this problem, six studies were conducted and compiled in this dissertation. These studies provide insights into the design of human-like CAs in a company context and show how different de...
