You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This is the first volume in a fully-illustrated new series devoted to medieval castles. Following a chronological plan, this in-depth sequence on medieval military architecture should help to reestablish a typology of the castle. Volume I deals with the main castles of the great Capetians, from Chateau Gaillard to castel de Coucy . Stephane Gondoin and Cyril Castellant are not only specialist historians in their field, but also 3-D illustrators at the peak of their art. This book is the culmination of a huge amount of knowledge acquired after years of research and studies.
Volume II, entitled the Twilight of the Medieval Castles, gives details of the last period in which the architectural elements characteristic of the medieval period were used. It shows how the castles failed to make the necessary adaptation to the new fighting techniques along with the tastes of the period which also evolved at the end of the period. The incapacity to react to all these constraints was the main reason for the disappearance of the medieval castle. Finally the author evokes the often contrasting fate of some of these buildings which ended up as barracks, prisons or being destroyed.
Year 1428: The war between England and France has been raging for nearly one hundred years. The English control territory to the north of the Loire, but have no control of regions beyond the river. During the summer, Bedford decides to eliminate his enemy and besieges Orléans. From October 1428 to May 1429, fierce fighting continues around the town. The situation seems to be lost for the besieged, until the arrival of a young peasant girl named Joan. The exploits of the Maid of Orléans lead to the making of her legend. Inspired by her, the French rekindle their taste for victory and go from one success to another, until the decisive battle at Patay. This is an detailed, animated and richly illustrated book which enables the reader to relive these moments of great endeavor.
Volumes 3 and 4 offer some of the most extraordinary episodes in Casanova's extraordinary life, including his liaison with the nun M. M., and his flight from the State Inquisitor's prison--each in its own way a feat of singular dash and daring.
In this fresh list, Stephen James O'Meara presents 109 new objects for stargazers to observe. The Secret Deep list contains many exceptional objects, including a planetary nebula whose last thermal pulse produced a circumstellar shell similar to the one expected in the final days of our Sun's life; a piece of the only supernova remnant known visible to the unaided eye; the flattest galaxy known; the largest edge-on galaxy in the heavens; the brightest quasar; and the companion star to one of the first black hole candidates ever discovered. Each object is accompanied by beautiful photographs and sketches, original finder charts, visual histories and up-to-date astrophysical information to enrich the observing experience. Featuring galaxies, clusters and nebulae not covered in other Deep-Sky Companions books, this is a wonderful addition to the series and an essential guide for any deep-sky observer.
Long considered the standard introduction to Rome's influence on later centuries (the original was published in 1923), this completely new edition of the classic work brings together the latest scholarship in the field. Unlike the previous version, which focused on such narrow topics as commerce and administration, the new edition broadens the spectrum of influence, showing the impact, for example, of Roman literature, art, politics, law, and language on western civilization. With 24 pages of plates. Annotation copyrighted by Book News, Inc., Portland, OR
The author here presents an architectural history of Paris, stretching from the 3rd century BC up until the end of the 20th century.
This anthology honors Lawrence Nees’ expansive contributions to medieval art historical inquiry and teaching on the occasion of his retirement from the University of Delaware. These essays present a cross-section of recent research by students, colleagues, and friends; the breadth of subjects explored demonstrates the pertinence of Nees’ distinctive approach and methodology centering human agency and creativity. The contributions follow three main threads: Establishing Identity, Patronage and Politics, and Beyond the Canon. Some authors draw upon Nees’ systematic analysis of iconographic idiosyncrasies and ornamental schemes, whether adorning manuscripts or monumental edifices, which elucidates their unique visual and material characteristics. Others apply a Neesian engagement with the complex dynamics of cultural exchange, visual manifestations of political ambitions and ideologies, and selective mining of the classical past. Ultimately, this collection aims to illustrate the impact of Nees’ transformative scholarship, and to celebrate his legacy in the field of medieval art history.