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White Stone
These evocative poems move from the icon of Alice in Wonderland to the imagined figure of Alice out of Wonderland--on a Vancouver beach with the poet, underground with Persephone, in Memphis with Elvis. But first they explore the life of the real Alice Liddell (1852-1934), who sat still for Charles Dodgson's camera and inspired the Alice books that prompted his rise to fame as Lewis Carroll. In this powerful sequence, the emotional life of Alice Liddell as girl and woman is depicted in brilliant narrative juxtapositions. Presented is Alice the creation and Alice the person in a cultural context that, on one level, reexamines cognition and dissociation and on another, liberates the poetic sequence from the monotony of story and closure.
A Page from the Wonders of Life on Earth
Poetry. A PAGE FROM THE WONDERS OF LIFE ON EARTH is a book with a coherent vision of nature--constructed or framed, both in the present and in the recent past--through zoos, aviaries, formal gardens, menageries, and books like the Time Life one named in the title. Informed by the author's grand tour of these zoos and gardens, these poems provide a strong lens for considering the many paradoxes of inter-species relations; they open up the possibility of honest, unsentimental elegy. The book is also a model of what might be called investigative poetry, taking the poet's combination of perceptual acuity, craft, music and sensibility into these richly troubled places (prisons of, monuments to, museums for the lost natural world) where "arcades sell postcards of old photographs of the arcades," and where questions of what it means to be human, to be animal, to be other and to be art are tangibly in the air. "Bolster's work demonstrates a surety of vision supported by an insider's eye for the telling aberrant detail everywhere matched by her impeccable ear"--Judith Fitzgerald, The Globe and Mail.
Two Bowls of Milk
The poems of Stephanie Bolster’s second collection move with delicacy and power, whether focussing on a flock of snow geese on a flooded plain, on the paintings of Jean Paul Lemieux, or on two wasps in a Pepsi can on the steps of the Metropolitan Museum of Art. These intimate acts of language create a space infused with stillness and an edgy expectation. Here is a poetry of engagement and mystery, in which truth is found in seepage and reversal: the bowls of milk the colour of milk; the two facing human profiles forming between them the shape of a vase. This volume sketches a clear, unwavering arc through poems sometimes raw and painful, but always exquisite, and, ultimately, transformative. Two Bowls of Milk confirms Stephanie Bolster as one of the most gifted new poets in Canada today.
The Mortal Sea
Since the Viking ascendancy in the Middle Ages, the Atlantic has shaped the lives of people who depend upon it for survival. And just as surely, people have shaped the Atlantic. In his innovative account of this interdependency, W. Jeffrey Bolster, a historian and professional seafarer, takes us through a millennium-long environmental history of our impact on one of the largest ecosystems in the world. While overfishing is often thought of as a contemporary problem, Bolster reveals that humans were transforming the sea long before factory trawlers turned fishing from a handliner's art into an industrial enterprise. The western Atlantic's legendary fishing banks, stretching from Cape Cod to N...
Pavilion
The poems in Stephanie Bolster’s new collection create longings, reveries, and meditations that, though powerfully presented to us, evade the reduction of named emotion. It takes a special subtlety of writing, a delicate handling of image and judgement of details to make what is offstage resonate with such eloquence. This collection reveals Stephanie Bolster writing at the extreme of her craft to bring us a poetry of extraordinary refinement.
Black Jacks
Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of...
The Deficit Myth
THE INTERNATIONAL BESTSELLER 'Kelton has succeeded in instigating a round of heretical questioning, essential for a post-Covid-19 world, where the pantheon of economic gods will have to be reconfigured' Guardian 'Stephanie Kelton is an indispensable source of moral clarity ... the truths that she teaches about money, debt, and deficits give us the tools we desperately need to build a safe future for all' Naomi Klein 'Game-changing ... Read it!' Mariana Mazzucato 'A rock star in her field' The Times 'This book is going to be influential' Financial Times 'Convincingly overturns conventional wisdom' New York Times Supporting the economy, paying for healthcare, creating new jobs, preventing a climate apocalypse: how can we pay for it all? Leading economic thinker Stephanie Kelton, shows how misguided that question is, and how a radical new approach can maximise our potential as a society. Everything that we've been led to believe about deficits and the role of money and government spending is wrong. Rather than asking the self-defeating question of how to pay for the crucial improvements our society needs, Kelton guides us to ask: which deficits actually matter?
The Poem Is You
The variety of contemporary American poetry leaves many readers overwhelmed. Critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, she presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.
The Ishtar Gate
We are always in the middle of life, looking forwards and backwards; the only movement we can make to defy physics and history is the journey of the spirit. The Ishtar Gate, a ceremonial gate from the palace of Nebuchadnezzar at Babylon, reconstructed and housed in the Staatliche Museum, Berlin, is my personal symbol for the merging of ancient and modern culture, the old goddess-centred religions and the scholarly, rational West. So wrote Diana Brebner of the book she planned to write. Though cancer claimed her life before she could complete this project, she wrote some thirty poems towards it.Here is a poet in extreme control of her craft: the aesthetic refinement, the musicality of language, the spiritual vision, and the playfulness that drew readers to Brebner's previous award-winning books - Radiant Life Forms, The Golden Lotus, and Flora & Fauna - resonate with even greater force in her last poems.
Poets on Paintings
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
