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The Rise and Fall of the Future
Mid-20th century America envisioned a wondrous future of comfort, convenience and technological advancement. Popular culture--including World's Fairs, science fiction and advertising--fed high hopes even when war and hardship threatened. American ingenuity and consumer culture promised to deliver flying cars, undersea cities, household robots and space travel. By the 1960s political assassinations, the civil rights and women's movements, the Vietnam War and the "generation gap" eroded that optimism, refocusing attention on the issues of the present. The nation's utopian dream was brief but revealing. Based on a wide range of sources, this book takes a fresh look at America's precipitous fall from futurism to disillusionment.
The Reality Effect
It used to be only movies were on film; now the whole world is. The most intimate and most banal moments of our lives are constantly recorded for public consumption. In The Reality Effect, Joel Black argues that the desire to make visible every aspect of our lives is an impulse derived from cinema- one that has made life both more graphic and less "real." He approaches film as a documentary medium that has obscured-if not obliterated- the line between reality and fiction. To illustrate this effect, Black traces the uncanny interplay between movies and real-life events through a series of comparative analyses-from Lolita and the murder of JonBenét Ramsey to Wag the Dog and the Clinton scandal to Crash and Princess Diana's violent death.
Our Grandchildren Redesigned
A panoramic overview of biotechnologies that can endlessly boost human capabilities and the drastic changes these “superhuman” traits could trigger Biotechnology is moving fast. In the coming decades, advanced pharmaceuticals, bioelectronics, and genetic interventions will be used not only to heal the sick but to boost human physical and mental performance to unprecedented levels. People will have access to pills that make them stronger and faster, informatic devices will interface seamlessly with the human brain, and epigenetic modification may allow people to reshape their own physical and mental identities at will. Until recently, such major technological watersheds—like the develop...
Under the Influence
California culture wields an enormous influence on the rest of the United States and indeed the world. In this fascinating book Monica Ganas, a lifelong Californian and veteran of the stage and screen, explores the hypnotic effect of the Golden State. With a witty style and loads of interesting stories, she offers an insider's critique of California culture and shows how Christians can respond to its pervasive influence. According to Ganas, we are intoxicated by a belief system that she calls "California-ism." This belief system drives our worldview and our choices in every area of life. After considering California's religious background and state history, Ganas addresses various aspects of its culture that impact the culture at large, such as television, celebrity, politics, funerals, weddings, cars, and food. She concludes by encouraging readers to escape the intoxicating effects of California-ism by aligning themselves with the truth, beauty, and goodness that surpass understanding.
Beautiful Monsters
Beautiful Monsters explores the ways in which "classical" music made its way into late twentieth-century American mainstream culture—in pop songs, movie scores, and print media. Beginning in the 1960s, Michael Long's entertaining and illuminating book surveys a complex cultural field and draws connections between "classical music" (as the phrase is understood in the United States) and selected "monster hits" of popular music. Addressing such wide-ranging subjects as surf music, Yiddish theater, Hollywood film scores, Freddie Mercury, Alfred Hitchcock, psychedelia, rap, disco, and video games, Long proposes a holistic musicology in which disparate musical elements might be brought together ...
Make Way for the Superhumans
Biomedical research is changing the both the format and the functions of human beings. Very soon the human race will be faced with a choice: do we join in with the enhancement or not? Make Way for the Superhumans looks at how far this technology has come and what aims and ambitions it has. From robotic implants that restore sight to the blind, to performance enhancing drugs that build muscles, improve concentration, and maintain erections, bio-enhancement has already made massive advances. Humans have already developed the technology to transmit thoughts and actions brain-to-brain using only a computer interface. By the time our grandchildren are born, they will be presented with the option to significantly alter and redesign their bodies. Make Way for the Superhumans is the only book that poses the questions that need answering now: suggesting real, practical ways of dealing with this technology before it reaches a point where it can no longer be controlled.
The Philosophy of Stanley Kubrick
In the course of fifty years, director Stanley Kubrick produced some of the most haunting and indelible images on film. His films touch on a wide range of topics rife with questions about human life, behavior, and emotions: love and sex, war, crime, madness, social conditioning, and technology. Within this great variety of subject matter, Kubrick examines different sides of reality and unifies them into a rich philosophical vision that is similar to existentialism. Perhaps more than any other philosophical concept, existentialism -- the belief that philosophical truth has meaning only if it is chosen by the individual -- has come down from the ivory tower to influence popular culture at larg...
Stanley Kubrick's 2001: A Space Odyssey
Almost all students have seen 2001, but virtually none understand its inheritance, its complexities, and certainly not its ironies. The essays in this collection, commissioned from a wide variety of scholars, examine in detail various possible readings of the film and its historical context. They also examine the film as a genre piece--as the summa of science fiction that simultaneously looks back on the science fiction conventions of the past (Kubrick began thinking of making a science fiction film during the genre's heyday in the fifties), rethinks the convention in light of the time of the film's creation, and in turn changes the look and meaning of the genre that it revived--which now re...
2001 between Kubrick and Clarke
The story of how “2001: A Space Odyssey” came to be made is in many ways as epic as the events portrayed in the film itself—and until now, just as mysterious. In 1964, with “Dr. Strangelove” ready for release, Stanley Kubrick was uncertain about what his next project would be, and considered making a film dealing with several contemporary themes. It was only when he encountered Arthur C. Clarke that he decided to make a science fiction film. Yet it took more than four years for “2001: A Space Odyssey” to reach the screen—a productive and creative odyssey that involved experimentation, last-minute rethinks, strokes of genius, quarrels, ultimatums, feats of will, and mental bre...
Sounds Like Helicopters
Explores how modernist films use classical music in ways that restore the music’s original subversive energy. Classical music masterworks have long played a key supporting role in the movies—silent films were often accompanied by a pianist or even a full orchestra playing classical or theatrical repertory music—yet the complexity of this role has thus far been underappreciated. Sounds Like Helicopters corrects this oversight through close interpretations of classical music works in key modernist films by Francis Ford Coppola, Werner Herzog, Luis Buñuel, Stanley Kubrick, Jean-Luc Godard, Michael Haneke, and Terrence Malick. Beginning with the famous example of Wagner’s “Ride of the...
