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Getting it wrong deals with the dark side of the medieval theory of knowledge, the ways in which perceptions can err, curiosity get out of hand, and knowledge damage the knower. The first and second parts explore the organs, powers and faculies of the soul and the ways in which teaching and learning occur. The third part of the book examines medieval ideas of "common knowledge"and the ways in which individuals can share or fail to share the knowledge human being ought to have. The fourth part considers wisdom and folly, security and incompleteness of knowledge, truth and lies.
Exhaustively surveying all known cases of academic condemnation at Oxford, including several never studied before, this book seeks to establish the institutional mechanisms and factors that led the university to condemn scholars and their theories.
Marvel and Artefact examines the three surviving manuscripts of Wonders of the East (London, BL, Cotton Vitellius A. xv; London, BL, Cotton Tiberius B. v; and Oxford, Bodleian Library, Bodley 614). After outlining the learned tradition of writing on monsters and marvels and the family of texts of which the Wonders of the East is part, A. J. Ford offers a forensic reading of each manuscript in which codex, text and image are studied together as a single artefact. By focussing on the materiality of manuscripts whose origin can only be hypothesized, this innovative and challenging work opens new vistas for the study and interpretation of medieval manuscripts and the cultures that produced them.
For the scholastic philosopher William Ockham (c. 1285-1347), there are three kinds of heresy. The first, and most unmistakable, is an outright denial of the truths of faith. Another is so obvious that a very simple person, even if illiterate, can see how it contradicts Divine Scripture. The third kind of heresy is less clear cut. It is perceptible only after long deliberation and only to individuals who are learned, and well versed in Scripture. It is this third variety of heresy that J.M.M.H. Thijssen addresses in Censure and Heresy at the University of Paris, 1200-1400. The book documents 30 cases in which university trained scholars were condemned for disseminating allegedly erroneous op...
This imaginative study rethinks the nature of theology and its role in universities. The author sketches out a fascinating project using examples from US and UK institutions, whereby theology becomes a transformative force within universities. Imagines what a Christian university, in which all disciplines have been theologized, would look like. Feeds into discussions about the religious identity of denominationally-linked colleges and universities. Forms part of a wider attempt to imagine a vital public role for theology that enables it to serve both the Church and the wider community.
“A rich and entertaining history of the French capital’s predominant myths and ‘image-making’ from the nineteenth century to the present.” —Roxanne Panchasi, H-France Review How did Paris become the world favorite it is today? Charles Rearick argues that we can best understand Paris as several cities in one, each with its own history and its own imaginary shaped by dream and memory. Paris has long been at once a cosmopolitan City of Light and of modernity, a patchwork of time-resistant villages, a treasured heirloom, a hell for the disinherited, and a legendary pleasure dome. Focusing on the last century and a half, Paris Dreams, Paris Memories makes contemporary Paris understand...
In the last two centuries Britain has experienced a revolution in higher education, with the number of students rising from a few hundred to several million. Yet the institutions that drove - and still drive - this change have been all but ignored by historians. Drawing on a decade's research, and based on work in dozens of archives, many of them used for the very first time, this is the first full-scale study of the civic universities - new institutions in the nineteenth century reflecting the growth of major Victorian cities in Britain, such as Liverpool, Manchester, Birmingham, York, and Durham - for more than 50 years. Tracing their story from the 1780s until the 2010s, it is an ambitiou...
Generations of scholars have meditated upon the literary devices and cultural meanings of The Song of Roland. But according to Andrew Taylor not enough attention has been given to the physical context of the manuscript itself. The original copy of The Song of Roland is actually bound with a Latin translation of the Timaeus. Textual Situations looks at this bound volume along with two other similarly bound medieval volumes to explore the manuscripts and marginalia that have been cast into shadow by the fame of adjacent texts, some of the most read medieval works. In addition to the bound volume that contains The Song of Roland, Taylor examines the volume that binds the well-known poem "Sumer ...
San Diego Magazine gives readers the insider information they need to experience San Diego-from the best places to dine and travel to the politics and people that shape the region. This is the magazine for San Diegans with a need to know.
In the mid-1880s, an influential British architectural journal published an article characterizing Renaissance architecture as a corruption of classical architecture. By the turn of the century, however, the same journal praised the Renaissance architect Filippo Brunelleschi as the ‘Christopher Columbus of modern architecture.’ Relevant for architectural historians, literary scholars and those in Victorian studies, this book examines the conflicting late nineteenth-century characterizations of Renaissance architecture and reassesses them within the formation of a modern, British architectural profession.