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This work examines the Gilmore Girls from a post-feminist perspective, evaluating how the show's main female characters and supporting cast fit into the classic portrayal of feminine identity on popular television. The book begins by placing Gilmore Girls in the context of the history of feminism and feminist television shows such as Mary Tyler Moore and One Day at a Time. The remainder of the essays look at series' portrayal of traditional and non-traditional gender identities and familial relationships. Topics include the hyper-real utopia represented by Gilmore Girls' fictional Stars Hollow; the faux-feminist perspective offered by Rory Gilmore's unfulfilling (and often masochistic) roman...
Walking away for the best of reasons was the worst mistake this Amish cowboy ever made … Susanna Miller had her doubts when her mother bought a dilapidated historic inn in Mountain Home, Montana. But now the family has brought it back to life as the Wild Rose Amish Inn, and Susanna is helping to show their guests some good Amish hospitality. She has barely settled into her new life when she learns to her horror that Stephen Kurtz has hired on as foreman at a neighboring ranch. Once, she’d believed she would be his bride. But he’d left town without even a good-bye … leaving her with broken dreams and a heart convinced it would never trust again. Walking away from Susanna Miller for th...
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
Here is ready access to a wide range of information for librarians who teach users how to best utilize information resources. Library and information science students and practitioners can learn from the educational programs that have been developed over the last decade, as presented in this volume, to build and expand their roles as consultants and educators. Bringing together the best information on the subject from the pages of Medical Reference Services Quarterly, this book is intended to create an interest in user education in libraries and generate ideas for new or expanded user education programs.
Created by Tom Clancy and Steve Pieczenik, the Net Force Explorers continue their fight against high-tech crime. In this installment, Explorer Andy Moore is enlisted to program virtual animals for the Cservanka Brothers Circus. But underneath the big top, a dark side emerges. And the only thing Andy finds in the cyber-circus is a black market ring -- in high tech weapons software and hardware.
Songs, Scribes, and Society explores the cultural and musical importance of five 15th-century Chansonniers - personalized, portable, and lavishly decorated songbooks - from the Loire Valley of France. Author Jane Alden treats the Chansonniers as physical artifacts to reveal their cultural context and its relationship to their commission, creation, and use.
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