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Inspired by and engaging with the provocative and prolific work of Stephen D. Moore, Bible and Theory showcases some of the most current thinking emerging at the intersections of critical methods with biblical texts. The result is a plurality of readings that deconstruct customary disciplinary boundaries. These chapters, written by a wide range of biblical scholars, collectively argue by demonstration for the necessity and benefits of biblical criticism inflected with queer theory, literary criticism, postmodernism, cultural studies, and more. Bible and Theory: Essays in Biblical Interpretation in Honor of Stephen D. Moore invites the reader to rethink what constitutes the Bible and to reconsider what we are doing when we read and interpret it.
An interlinked collection of essays representing the best of Stephen D. Moore’s groundbreaking scholarship This collection of previously published essays is a companion to The Bible in Theory: Critical and Postcritical Essays (2010). Chapters engage postcolonial studies, cultural studies, deconstruction, autobiographical criticism, masculinity studies, queer theory, affect theory, and animality studies—methods Moore believes present unprecedented challenges to the monochrome model of Revelation scholarship based on traditional historical-critical methods. Features: Nine essays on biblical literary criticism including two co-written with Jennifer A. Glancy and Catherine Keller Contextual introductions for each essay Annotated bibliographies
In Empire and Apocalypse Stephen Moore offers us the most complete introduction yet to the emergent field of postcolonial biblical criticism. It includes an indispensable in-depth introduction to postcolonial theory and criticism together with a detailed survey of postcolonial biblical criticism. Next come three substantial exegetical chapters on the Gospels of Mark and John and the Book of Revelation, which together demonstrate how postcolonial studies provide fresh conceptual resources and critical strategies for rethinking early Christianity's complex relations to the Roman Empire. Each of these three texts, to different degrees, Moore argues, mimic and replicate fundamental facets of Roman imperial ideology even while resisting and eroding it. The book concludes with an amply annotated bibliography whose main section provides a comprehensive listing of work done to date in postcolonial biblical criticism.
The sixteen essays assembled in this volume, four of them co-authored, chart the successive phases of a professional life lived in the interstices of Bible and "theory." Engaging such texts as the Song of Songs, 4 Maccabees, Mark, Luke-Acts, John, and Romans, and such themes as the quest for the historical Jesus, the essays simultaneously traverse postmodernism, deconstruction, New Historicism, autobiographical criticism, cultural studies, postcolonial studies, masculinity studies, queer theory, and "posttheory." Individual essay introductions and periodic annotated bibliographies make the volume an advanced introduction to biblical literary criticism. --From publisher's description.
Examines the new literary criticism of the Bible, discusses narrative criticism, and looks at the postmodern approach to the Bible
Moore offers a reading of the Gospels of Mark and Luke, applying the poststructuralist techniques of Derrida, Lacan and Foucault. He argues that whereas the language of the Gospels is concrete, pictorial and often startling, the language of modern scholarship tends to be propositional and abstract.
This collection considers themes of Christology, patriarchy, violence, colonialism, family structures, and sexual practices as it explores the construction and performance of masculinity in the New Testament and related early Christian texts. Examining the Gospels, Romans, the Pastorals, Revelation, and the "Shepherd of Hermas," it situates diverse masculinities within a Greco-Roman matrix and introduces biblical scholarship to a rich vein of classical scholarship on gender. The contributors include Janice Capel Anderson, David J. A. Clines, Colleen M. Conway, Mary Rose D'Angelo, Page duBois, Chris Frilingos, Jennifer A. Glancy, Maud W. Gleason, Stephen D. Moore, Jerome H. Neyrey, Seong Hee Kim, Jeffrey L. Staley, Diana M. Swancutt, Tat-siong Benny Liew and Eric Thurman. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).
Based on an international colloquium held at the University of Sheffield, this collection represents the first book-length encounter between biblical studies and the proliferating and controversial field of cultural studies. A multidisciplinary team of contributors engage in a multifaceted examination of the Bible's place in culture, ancient and modern, 'high' and 'low'. Contributors include Alice Bach, Fiona Black, Athalya Brenner, Robert Carroll, David Clines, Margaret Davies, Philip Davies, Philip Esler, Cheryl Exum, Yael Feldman, Jennifer Glancy, Jan Willem van Henten, David Jasper, Francis Landy, Barry Matlock, Stephen Moore, Hugh Pyper, John Rogerson, Regina Schwartz, William Scott, and Erich Zenger.
God's Beauty Parlor opens the Bible to the contested body of critical commentary on sex and sexuality known as queer theory and to masculinity studies. The author pursues the themes of homoeroticism, masculinity, beauty, and violence through such texts as the Song of Songs, the Gospels, the Letter to the Romans, and the Book of Revelation.
This helpful book introduces readers to five new and important methods of Gospel criticism and applies them to the interpretation of Mark. An introductory chapter outlines traditional methods of Gospel criticism and the history of the interpretation of Mark. Expertly written by recognized scholars, Mark and Method will be an aid for beginning students and a reliable guide to the rapidly changing array of texts and techniques in biblical studies:Narrative Criiticism: Elizabeth Struthers MalbonReader-response: Robert M. Fowler Deconstructive criticism: Stephen D. Moore Feminist criticism: Janice Capel Anderson Social-scientific criticism: David Rhoads