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Stephen Dobyns, author of the best-selling Saratoga crime series, says "I consider myself entirely a poet."
One by one, three young girls vanish in a small town in upstate New York. With the first disappearance, the townspeople begin to mistrust outsiders. When the second girl goes missing, neighbors and childhood friends start to eye each other warily. And with the third disappearance, the sleepy little town awakens to a full-blown nightmare. The Church of Dead Girls is a novel that displays Stephen Dobyns’ remarkable gifts for exploring human nature, probing the ruinous effects of suspicion. As panic mounts and citizens take the law into their own hands, no one is immune, and old rumors, old angers, and old hungers come to the surface to reveal the secret history of a seemingly genteel town and the dark impulses of its inhabitants.
Stephen Dobyns is a latter-day American surrealist, a spinner of dark, extravagant fables of a world we live or may live in. His poems are peopled with devils and angels, ghostly chickens, distorted mythological figures, God, and the risen dead 'pretending they're still alive'. The world of Cemetery Nights is haunted by regret, driven by desire and need, illuminated by daring make-believe. In these often frightening and sometimes strangely funny poems, Dobyns creates a remarkable bridge between pure entertainment and deep psychological insight.
A collection of poetry draws from the poet's eight published volumes and includes several new poems.
Best-selling poet/novelist Stephen Dobyns focuses on the hard truth of mortality, including sonnets about the recent death of his wife.
Witnessing a gruesome motorcycle accident in the seaport city of New London, Connecticut, newcomer Connor Raposo sees a strangely familiar man with an Elvis haircut at the scene and is embroiled in a small-time con operation.
Taking a different tack than John Keats in 'Ode to a Nightingale, ' Stephen Dobyns joins sixty-nine poems in Common Carnage, his ninth book of poetry, in order to address the conundrum 'How hard to love the world; we must love the world.' The spiritual intermixed with the bawdy, the courageous with the cowardly, the kindly with the cruel - Common Carnage rejects the decorous and decorative to map the complexity, the common carnage of our lives as it seeks to understand our nature.
In his first collection of stories, Dobyns examines the lives of men and women challenged by their own uncontrollable, illogical natures: poets with free-floating guilt, spouses with unacceptable sexual compulsions, farmers with midlife crises.
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