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The Culture of Time and Space 1880-1918
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION From about 1880 to World War I, sweeping changes in technology and culture created new modes of understanding and experiencing time and space. Stephen Kern writes about the onrush of technics that reshaped life concretely--telephone, electric lighting, steamship, skyscraper, bicycle, cinema, plane, x-ray, machine gun-and the cultural innovations that shattered older forms of art and thought--the stream-of-consciousness novel, psychoanalysis, Cubism, simultaneous poetry, relativity, and the introduction of world standard time. Kern interprets this generation's revolutionized sense of past, present, and future, and of form, distance, and direct...
The Culture of Time and Space, 1880–1918
Stephen Kern writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space. To mark the book’s twentieth anniversary, Kern provides an illuminating new preface about the breakthrough in interpretive approach that has made this a seminal work in interdisciplinary studies.
A Cultural History of Causality
This pioneering work is the first to trace how our understanding of the causes of human behavior has changed radically over the course of European and American cultural history since 1830. Focusing on the act of murder, as documented vividly by more than a hundred novels including Crime and Punishment, An American Tragedy, The Trial, and Lolita, Stephen Kern devotes each chapter of A Cultural History of Causality to examining a specific causal factor or motive for murder--ancestry, childhood, language, sexuality, emotion, mind, society, and ideology. In addition to drawing on particular novels, each chapter considers the sciences (genetics, endocrinology, physiology, neuroscience) and system...
The Modernist Novel
Leading scholar Stephen Kern offers a probing analysis of the modernist novel, encompassing American, British and European works. Organized thematically, the book offers a comprehensive analysis of the stunningly original formal innovations in novels by Conrad, Joyce, Woolf, Proust, Gide, Faulkner, Dos Passos, Kafka, Musil and others. Kern contextualizes and explains how formal innovations captured the dynamic history of the period, reconstructed as ten master narratives. He also draws briefly on poetry and painting of the first half of the twentieth century. The Modernist Novel is set to become a fundamental source for discussions of the genre and a useful introduction to the subject for students and scholars of modernism and twentieth-century literature.
The Culture of Love
Kern divides love into its elements and traces profound changes in each. Evidence is mainly literature and art including classic novels, paintings, and sculptures. The books conceptual foundation comes from Heidegger's existential philosophy.
Modernism After the Death of God
Modernism After the Death of God explores the work of seven influential modernists. Friedrich Nietzsche, James Joyce, D. H. Lawrence, André Gide, and Martin Heidegger criticized the destructive impact that they believed Christian sexual morality had had or threatened to have on their love life. Although not a Christian, Freud criticized the negative effect that Christian sexual morality had on his clinical subjects and on Western civilization, while Virginia Woolf condemned how her society was sanctioned by a patriarchal Christian authority. All seven worked to replace the loss or absence of Christian unity with non-Christian unifying projects in their respective fields of philosophy, psychiatry, or literature. The basic structure of their main contributions to modernist culture was a dynamic interaction of radical fragmentation necessitating radical unification that was always in process and never complete.
Eyes of Love
In Eyes of Love, Stephen Kern offers a bold reinterpretation of women in art and literature.
Anatomy and Destiny
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The Culture of Time and Space 1880-1918
The cultural historian, Stephen Kern, claims that a new way of experiencing and conceptualizing time and space emerged in Europe and in America from 1880 to the end of World War I and that this change is best understood in terms of the technological innovations in transportation and communication that occurred during this tumultuous period. His primary concern is to document the existence of this transformation rather than to explain it, and thus he seeks to establish patterns of coherence rather than lines of causation. His goals are to demonstrate the novelty of these conceptualizations and to illustrate their universality by describing their manifestations in widely divergent areas of cultural life. The result is a richly detailed and absorbing narrative that synthesizes major events, innovations, and ideas in a wide variety of fields including art, literature, politics, science, and technology. -- From http://www.jstor.org (Oct. 9, 2014).
