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Complicity in Fin-de-si?cle Literature examines late-nineteenth century French understandings of literature as a morally collusive medium, which implicates readers, writers, and critics in risqu? or illicit ideas and behaviour. It considers definitions of complicity from the period's evolving legal statutes, critical debates about literary 'bad influence', and modern theories of reader response, in order to achieve a deeper understanding of how cultural production of the period forged relationships of implication and collusion. While focusing on fin-de-si?cle French culture, the book's theoretical discussions provide a new terminology and conceptual framework through which to analyse literar...
Anthony Pryor's enlightenment occurred as a result of his immediate and intuitive understanding of the symbolic significance of abstract forms when combined and interpreted within a systematic language of art. This book offers a comprehensive and beautifully illustrated account of Anthony Pryor's short but spectacular career.
The research collected in this volume consists of 18 chapters which explore a number of key areas of investigation in contemporary Iberian studies. As the title suggests, there is a strong emphasis on trans-national and trans-regional approaches to the subject area, reflecting current discourse and scholarship, but the contributions are not limited by these approaches and include an eclectic range of recent work by scholars of history, politics, literature, the visual arts and cultural and social studies, often working in transdisciplinary ways. The geographical scope of the transnational processes considered range from intra-Iberian interconnections to those with the UK, Italy and Morocco, as well as transatlantic influences between the Peninsula and Argentina, Cuba and Brazil. The book opens up some pioneering new directions in research in Iberian studies, as well as variety of fresh approaches to hitherto neglected aspects of more familiar issues.
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Presents an overview of this Brisbane-born artist's work through the genres that have dominated his mature output: the interior, farmyard, landscape, seascape and self-portraiture. Comprising forty-one works, the exhibition includes paintings, sculpture, drawings, prints and ceramics as well as various sketchbooks and photographs.
A picture book and biographical dictionary, this book presents 500 works of art by 500 Australian women from colonial times to 1955.