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Every day, late at night or early in the morning, from March 26, 2020 to January 1, 2022, the political cartoonist and illustrator Steve Brodner would get to work. In those midnight hours, he would review the day's reportage, sit down at his drawing board, and memorialize a singular person or event that played a role, willingly or unwillingly, in shaping that day.
Hanoch Piven has taken the art of caricature to a whole new level. With a minimalist stroke of his deft hand, combined with an object related to what the subject is noted for -- along with his sharp wit -- Piven presents his vision of the celebrities he portrays. The stories Piven tells about each face are enlivened by elemental puns, developed from a three-step creative process. As Piven is sketching the subject in pencil, he is coming up with a word or two to describe the person: "Americana" for Bruce Springsteen, "media" for Jesse Jackson. Now he goes out "to the field" to find the appropriate object, the field being anything from a toy store to a hardware store. Then he lays out all the ...
Now in a full-length book, the New York Times Pulitzer Prize–winning graphic story of a refugee family who fled the civil war in Syria to make a new life in America After escaping a Syrian prison, Ibrahim Aldabaan and his family fled the country to seek protection in America. Among the few refugees to receive visas, they finally landed in JFK airport on November 8, 2016, Election Day. The family had reached a safe harbor, but woke up to the world of Donald Trump and a Muslim ban that would sever them from the grandmother, brothers, sisters, and cousins stranded in exile in Jordan. Welcome to the New World tells the Aldabaans’ story. Resettled in Connecticut with little English, few frien...
The long-overdue, definitive career retrospective of an early-20th-century gag cartoonist. From the 1880s to the Roaring 1920s, Sullivant took to the drawing board and dreamed up all manner of hilarious gag cartoons featuring animals of all stripes, perennial American "types" like hayseeds and hobos, and classic characters from myths and biblical tales. These comics haven’t seen the light of day since their initial appearance in pioneering humor magazines like Puck and Judge over a century ago. Includes essays by John Cuneo, Peter de Seve, Barry Blitt, Steve Brodner, Rick Marshall, Nancy Beiman, and R.C. Harvey, with a foreword by cartoonist Jim Woodring.
Offers a radical yet down-to-earth explanation of recent economic trends and solutions in understandable language, drawing on statistics to chart the disastrous economic and social consequences of the Reagan and Bush years and to document Bill Clinton's failure to reverse the decline in living standards of most Americans. Examines how the economy operates, focusing on the concentration of power in the biggest corporations and banks, and discusses classism, labor, the social democracy, and taxing the rich. Includes humorous illustrations by Steve Brodner, whose work appears in The New Yorker, Rolling Stone, and The Nation. For general readers. Annotation copyrighted by Book News, Inc., Portland, OR
For more than two decades, Steve Brodner has been the most savage editorial cartoonist/illustrator to work in the United States. (Internationally, his only rival for acid-tipped outrage is England's Ralph Steadman.) And, unlike the handful of his American colleagues who share his go-for-the-jugular approach, Brodner is also a virtuoso draftsman, whose every line and splash of color is an exquisite treat for the eye. Freedom Fries is Brodner's absurdly nightmarish journey through the last 30 years of American politics. And what a cast of characters: Nixon, Ford, Carter, Reagan, Bush I, Clinton, Bush II. And those are just the presidents! Add in such pretenders to the throne as Newt Gingrich, both Doles, Gore, and Nader, craven cabinet officers and legislators and you have the most horrifyingly hilarious rogues' gallery of striking resemblances anywhere.
The Secret Life of Pets meets Amelia Bedelia in this witty and sweet debut picture book about an overly-literal pup trying his paw at several different jobs and the hilarious mishaps that ensue. When Vinny the dog decides he should get a job to contribute to his family, he knows exactly what to do. He puts on his best suit and his sharpest hat, picks up his briefcase, and hits the pavement. Vinny isn’t completely sure what a job is, but with his can-do attitude, he’s sure he can figure it out. But it’s a dog-eat-dog world, and Vinny’s silly misunderstandings when following instructions keep him from staying in one job for long. The irrepressible canine doesn’t give up as he doggedly moves from a restaurant to a florist to a museum filled with humongous (and delicious-looking) dinosaur bones! Can this dog learn new tricks, or will Vinny finally have to call it quits?
Showcasing Todd McFarlane's unique art style, which burst onto the comic book scene in the late 1980s and forever changed the landscape of comic book art. Features art from original comic art boards, rare, never-before-seen sketches, as well as art from McFarlane's work on Batman, Spider-Man, and the Hulk (amongst many others), and his own top-selling creation, Spawn. Also features selected commentary by the artist himself.
You know John Cuneo from his award-winning illustrations that have graced the pages of Esquire or the covers of The New Yorker, but less known are the over-the-top and hilariously perverse cartoons that fill the pages of Not Waving But Drawing. Assembling Cuneo's best privately drawn sketchbook pages, each page immediately introduces us to unique takes on sex and domestic life in his signature squiggly style. Not Waving But Drawing is full of dark thoughts, lightly rendered.
Follows Michael's summer at sleep-away camp through a series of postcards sent between him and his father.