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Appetite for Self-Destruction
  • Language: en
  • Pages: 321

Appetite for Self-Destruction

For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advance...

Appetite for Self-Destruction
  • Language: en
  • Pages: 321

Appetite for Self-Destruction

  • Type: Book
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  • Published: 2009-12-15
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  • Publisher: Catapult

For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the modern recording industry, from an author who has been writing about it for more than ten years. With unparalleled access to those intimately involved in the music world’s highs and lows—including Warner Music chairman Edgar Bronfman Jr., renegade Napster creator Shawn Fanning, and more than 200 others—Steve Knopper is the first to offer such a detailed and sweeping contemporary history of the industry’s wild ride through the past three decades. From the birth of the compact disc, the explosion of CD sales, and the emergence of MP3-sharing websites that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen. Just as the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world, the advent of file sharing brought it to its knees, and Knopper saw it all.

MJ: The Genius of Michael Jackson
  • Language: en
  • Pages: 448

MJ: The Genius of Michael Jackson

The definitive biography of Michael Jackson, a “vivid…gripping...authoritative account of a world-changing force of nature” (Rolling Stone), celebrating the King of Pop’s legendary contributions to music, dance, and popular culture. From the moment in 1965 when he first stepped on stage—at age seven—in Gary, Indiana, Michael Jackson was destined to become the undisputed King of Pop. In a career spanning four decades, Jackson became a global icon, selling over four hundred million albums, earning thirteen Grammy awards, and spinning dance moves that captivated the world. Songs like “Billie Jean” and “Black and White” altered our national discussion of race and equality, an...

Ripped
  • Language: en
  • Pages: 275

Ripped

A national radio host and critically acclaimed music journalist shows how the Internet revolutionized the music industry--and turned big record labels on their ear. b&w photographs.

The Complete Idiot's Guide to Starting a Band
  • Language: en
  • Pages: 352

The Complete Idiot's Guide to Starting a Band

  • Type: Book
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  • Published: 2004
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  • Publisher: Alpha Books

Explains how to form a rock band, work with other musicians, obtain bookings, promote the band, and handle recording and other contracts.

Head on a Pike
  • Language: en
  • Pages: 128

Head on a Pike

  • Type: Book
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  • Published: 2021-09-07
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  • Publisher: Unknown

This is a retrospective of musical poetry by heavy metal guitarist and frontman, Matt Pike, which spans twenty years beginning in 1998 with the album Art of Self Defense up to the latest release, the 2019 Grammy-Award winning record, Electric Messiah. Every chapter features brand-new artistic interpretations from the minds and hearts of an incredible cast of illustrators, tattooers, printmakers, and painters Pike has been trusted since the beginning to depict his vision. The cast of artists are Arik Roper, David V. D'Andrea, Santos, Brian Mercer, Skinner, Jondix, Stash, Tim Lehi, Jordan Barlow, and Derrick Snodgrass created brand new, never before seen works specifically inspired by each alb...

Colorado Handbook
  • Language: en
  • Pages: 492

Colorado Handbook

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

None

The Future of Music
  • Language: en
  • Pages: 216

The Future of Music

From the Music Research Institute at Berklee College of Music comes a manifesto for the ongoing music revolution. Today the record companies may be hurting, but the music making business is booming, using non-traditional digital methods and distribution models. This book explains why we got where we are and where we are heading. Kusek and Leonhard foresee the disappearance of CDs and record stores as we know them in the next decade. For the iPod, downloading market, this book will explain new ways of discovering music, new ways of acquiring it and how technology trends will make music "flow like water", benefiting the people who love music and make music.

Arresting Music: Life During Wartime- a Music Guide
  • Language: en
  • Pages: 211

Arresting Music: Life During Wartime- a Music Guide

BIO BY COSMIC DARREN: THIS HISTORY REPEATING MUSIC IS THE GREATEST MUSIC EVER CREATED. AS DESCRIBED BY THE GRATEFUL DEAD QUOTE FROM 1972: DEAD THE POWER OF PSYCHEDELIAS PARTICULARLY LSD (REFERENCE HAWKWIND) THE FUNDAMENTAL CHARACTER OF THE PSYCHEDELIC EXPERIENCETHE MUSIC THAT EMANATED FROM THE DEAD ON THAT DAY; IS ARGUABLY SOME OF THE MOST POWERFUL PSYCHEDELIC MUSIC EVER CREATED AND, IN TURN, IS ALSO SOME OF THE MOST VISIONARY MUSIC THIS PLANET HAS YET WITNESSED (REFERENCE OZRIC TENTACLES). COSMIC DARREN BELIEVES THE GRATEFUL DEADS MUSIC WOULD REFERENCE EYES OF THE WORLD, BIRD SONG, CHINA CAT SUNFLOWER/I KNOW YOU RIDER, I NEED A MIRACLE, THE MUSIC NEVER STOPPED, HELP ON THE WAY/SLIPKNOT/FRAN...

Derivative Media
  • Language: en
  • Pages: 300

Derivative Media

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is trans...