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Deadly San Diego
Delve into a world of cold cases, serial killers, and false confessions pulled straight from the archives of the San Diego Police Department. From a rash of attacks in Balboa Park to the slayings of two police officers that remain unsolved to this day, detectives have investigated several vexing and violent cases over the years. In 1931, the murder of ten-year-old Virginia Brooks was initially linked to serial slayer Gordon Stewart Northcott, later hung for his crimes, while the mysterious death of young Dalbert Aposhian languished for seventy-two years before modern forensics closed it. Join author Steve Willard as he pulls back the curtain on San Diego's dark side.
Harm.
This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and brilliant in coloration. By turns disjunctive, narrative, plaintive, and disruptive, Harm. makes use of a wide formal range in reaching toward its ambition, which is nothing short of reclaiming lost human potentiality from current norms. Syntax flexes and the world is refigured, observed as if through a different camera's open aperture, drawing the reader to a new and transformative interior landscape.
Virgil and the Mountain Cat
"Virgil and the Mountain Cat, David Lau's first book of poems, evokes the shattering of Western civilization (not its collapse, but the tense, apprehensive moment before the cracked vessel falls apart). What commanded trust now provokes a nihilistic retaliatory mischief-making poetic language, in which the only redemptive element, if there is one, is what Alain Badiou calls the 'engine' of excess in the greatest 20th century art, excess of the kind that allows for change, a revolution. Lau's high-voltage language is a measure of the passion of (and for) belief that has been lost. Lau is a remarkable young poet."—Calvin Bedient, author of Candy Necklace "It's after the end of the world, and...
San Diego Police Department
The San Diego Police Department dates to 1889, when out-of-control crime forced the end of the highly ineffective city marshal's office. With violence on every corner and Tombstone's venerable Wyatt Earp running the marshals' gambling interests, change was desperately needed. But the first days of the SDPD weren't easy. Within two years of its formation, the city's economy tanked, 36,000 of the town's 40,000 citizens left, and the department's newly appointed chief refused to take the job. Still, San Diego eventually developed into one of the nation's largest cities and most popular tourist destinations. Today more than 2,000 highly trained sworn SDPD officers, 700 support staff, and more than 1,000 volunteers form one of the world's most innovative andinternationally recognized police forces.
Harm.
This debut volume establishes Steve Willard as a true original, an artist whose kinetic sense of wordplay is deft, smart, and unfailingly provocative. Intended to be read in repeated passes, these poems are Cubist in feel, multifaceted in syntax, and brilliant in coloration. By turns disjunctive, narrative, plaintive, and disruptive, Harm. makes use of a wide formal range in reaching toward its ambition, which is nothing short of reclaiming lost human potentiality from current norms. Syntax flexes and the world is refigured, observed as if through a different camera's open aperture, drawing the reader to a new and transformative interior landscape.
Twisted Tour Guide to San Diego: Shocking Deaths, Scandals and Vice
Avoid The Tourist Herds. What could be more uninspiring than seeing the identical attractions that everyone else has for decades? This Twisted Tour Guide escorts you to the places locals don’t want to talk about anymore…the same places people once couldn’t stop talking about. Long after the screaming headlines and sensationalism has subsided, these bizarre, infamous and obscure historical sites remain hidden awaiting rediscovery. Each visitation site in this guide is accompanied by a story. Many of the narratives defy believability, yet they are true. The profiled cast of characters feature saints and sinners (with emphasis towards the latter). Notorious crimes, murders, accidental dea...
Sight Map
In Sight Map Brian Teare blends the speculative poetics of the San Francisco Renaissance with a postconfessional candor to embody the "open field" tradition of such poets as Robin Blaser and Robert Duncan. Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.
It’s Go in Horizontal
The poems embody ideas about writing and formal inventions, demonstrating how one invention leads to the next. -- Jacket flap.
Metropole
Geoffrey O'Brien's third collection of experimental poetry.
