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There they are, still as a photograph, listening for the distant thud of the sun as it prepares to drop from the sky... On a hot summer's night, a family of three are off to a party in their bristling suburbia. But nothing is as it seems and soon we are walking with them through the past lives of a bully, a drunk and a disaffected youth. As the story of the neighbourhood unfolds the old and the new, diesel and steam, town and country all collide - and nobody will be left unaffected. The Art of the Engine Driver is a luminous and evocative take on ordinary suburban lives told with an extraordinary power and depth.
Contemplative reading is a spiritual practice developed by Christian monks in sixth- and seventh-century Mesopotamia. Mystics belonging to the Church of the East pursued a form of contemplation which moved from reading, to meditation, to prayer, to the ecstasy of divine vision. The Library of Paradise tells the story of this Syriac tradition in three phases: its establishment as an ascetic practice, the articulation of its theology, and its maturation and spread. The sixth-century monastic reform of Abraham of Kashkar codified the essential place of reading in East Syrian ascetic life. Once established, the practice of contemplative reading received extensive theological commentary. Abraham'...
Cannibalism is the breaking of the ultimate taboo. Yet during the later Middle Ages and early years of the Renaissance, mythological, historical, and contemporary accounts of cannibalism became particularly popular. Consuming Passions synthesizes and analyses the most interesting of those late medieval and early modern responses to Eucharistic teaching and debate that manifest themselves in the trope of cannibalism. This trope appears in texts as various as visions of the underworld, accounts of sacramental miracles, sermons, legal proceedings, and popular geographies. This book foregrounds the vexed role of the body in both late medieval and early modern religiosity, and the ways in which the boundaries of the endangered body in these narratives also reflect the rigorously defended borders of the body politic.
A major new history of medieval monasticism, from the fourth to the sixteenth century From the late Roman Empire onwards, monasteries and convents were a common sight throughout Europe. But who were monasteries for? What kind of people founded and maintained them? And how did monasticism change over the thousand years or so of the Middle Ages? Andrew Jotischky traces the history of monastic life from its origins in the fourth century to the sixteenth. He shows how religious houses sheltered the poor and elderly, cared for the sick, and educated the young. They were centres of intellectual life that owned property and exercised power but also gave rise to new developments in theology, music, and art. This book brings together the Orthodox and western stories, as well as the experiences of women, to show the full picture of medieval monasticism for the first time. It is a fascinating, wide-ranging account that broadens our understanding of life in holy orders as never before.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
In The Blue Sapphire of the Mind, Douglas E.
This work offers an examination of religious texts written by twelve women over three centuries in two languages and three genres, showing the variety and complexity of gendered images available to medieval women. Moving beyond the categories of virgin, wife and widow, these religious texts created a spectrum of exemplary feminine life-paths based not on marital status, age, social rank, or profession, but instead founded on biblical figures, monastic divisions of labor, expected saintly behaviors, and even individual personality characteristics. This study contributes to discussions of genre and its influences on gender representation, as well as to scholarship on the complexities of gender relationships within literary works and historical contexts. This work will also serve to introduce a wider audience to a cycle of texts and an interrelated group of women authors previously available only to specialists in German and manuscript studies.
Focusing on the famous Medieval commentator Nicolas of Lyra and the anonymous Middle English biblical adaptation of the Gospel of John, the Cursor Mundi, this book examines the development of the analytical tools of biblical literary criticism showing how late Medieval commentators negotiated the paradoxical interdependence of the literal and spiritual senses, as transmitted by traditional and inherited vocabularies, through a focus on narrative structure. Mark Hazard combines an enlightening account of the actual practice of professional commentators, the history of Gospel interpretation and cultural history to reveal that remarkable shift in the treatment of the Bible that modern scholars would regard as having laid the groundwork for the historical-critical methods in biblical research. As such this book sheds light not only on the 14th century practice of biblical interpretation, but will also be of value to those currenlty engaged in reading and writing about the bible.
This study provides a much needed re-evaluation of the role of pain and suffering in Hartmann von Aue. By critically and carefully combining traditional philology with modern theoretical analysis, drawing on theorists such as Mary Douglas, Michele Foucault, Norbert Elias and Elaine Scarry, the author shows how the 'body' is symbolically structured in Hartmann's work to create a distinctly medieval signification system of pain. This system is analysed through an examination of the physical body and social body of the court, and the harmonious and refined image of courtly society as depicted in Hartmann's work where it is shown that the very ideological system that informs courtly life causes suffering in both the physical and social bodies.