You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
For readers new to Gramsci, Jones presents detailed discussion on the historical context of the theorist's thought, offers examples of putting Gramsci's ideas into practice in the analysis of contemporary culture and evaluates responses to his work.
This book addresses the question of what it might mean today to be a Luddite--that is, to take a stand against technology. Steven Jones here explains the history of the Luddites, British textile works who, from around 1811, proclaimed themselves followers of "Ned Ludd" and smashed machinery they saw as threatening their trade. Against Technology is not a history of the Luddites, but a history of an idea: how the activities of a group of British workers in Yorkshire and Nottinghamshire came to stand for a global anti-technology philosophy, and how an anonymous collective movement came to be identified with an individualistic personal conviction. Angry textile workers in the early nineteenth century became romantic symbols of a desire for a simple life--certainly not the original goal of the actions for which they became famous. Against Technology is, in other words, a book about representations, about the image and the myth of the Luddites and how that myth was transformed over time into modern neo-Luddism.
Antonymy is the technical name used to describe 'opposites', pairs of words such as rich/poor, love/hate and male/female. Antonyms are a ubiquitous part of everyday language, and this book provides a detailed, comprehensive account of the phenomenon. This book demonstrates how traditional linguistic theory can be revisited, updated and challenged in the corpus age. It will be essential reading for scholars interested in antonymy and corpus linguistics.
The great hats of Dior, as chosen by Stephen Jones, one of the most revered milliners of our times. Christian Dior himself wrote in his Little Dictionary of Fashion: "A hat is essential to any outfit. It completes it. In a way, a hat is the best way to express your personality." Published on the occasion of the 2020 exhibition at the Musée Christian Dior in Granville, France, and authored by renowned milliner Stephen Jones, this volume celebrates more than seventy years of exquisite hats. Opening with a focus on hats designed by Christian Dior himself, the book explores the house's headdresses over the years--from the first millinery of the New Look to Yves Saint Laurent's Venetian masks, the toques of Marc Bohan, dramatic boaters by Gianfranco Ferré, John Galliano's extravagant confections, the graphic neck bow by Raf Simons, and romantic designs by Maria Grazia Chiuri. Jones's insightful texts are accompanied by contributions from leading experts and enlivened by drawings and photographs from Dior's archives; shots by famed photographers, such as Richard Avedon, Sir Cecil Beaton, and Craig McDean; and exclusive new images by Sølve Sundsbø.
When med student Hale is called home by his ailing mother on Halloween night, he and a group of friends are trapped in an inescapable cycle of violence.
This book explores the ways in which the contemporary university is talked about, and talks about itself. Focusing on English higher education, Jones documents how an under-confident sector internalised the language and logic of government policy, and individual institutions then set about normalising competition and gaming short-term advantage at the expense of collectively serving a common good. A flawed marketisation project was attended and sustained by hostile discourses, with purportedly woke universities becoming a soft target for right-leaning politicians and media commentators, and campuses reluctant battlefields for manufactured culture wars. Within this context, integrity deficits...
Stephen Jones spearheaded the revival of British millinery in the early 1980s. Using radical materials and daring designs, his exquisite crafted hats encapsulated a modern and compelling mood. Today his era-defining edge continues to attract a celebrity clientele including Kylie Minogue, Gwen Stefani, Dita Von Teese and Madonna. Beautifully illustrated chapters examine the inspiration behind the creation of hats, the history of making, materials and the workroom, the lure of the hat shop and finally the etiquette of hat wearing. The book draws on Jones' unparalleled body of work, the V&A's extensive hat collection and key pieces from international hat collections and design houses.
-Can an orthodox Christian, committed to the historic faith of the church and the authority of the Bible, be a universalist? -Is it possible to believe that salvation is found only by grace, through faith in Christ, and yet to maintain that in the end all people will be saved? -Can one believe passionately in mission if one does not think that anyone will be lost forever? -Could universalism be consistent with the teachings of the Bible? Gregory MacDonald argues that the answer is yes to all of these questions. Weaving together philosophical, theological, and biblical considerations, MacDonald seeks to show that being a committed universalist is consistent with the central teachings of the biblical texts and of historic Christian theology. This second edition contains a new preface providing the backstory of the book, two extensive new appendices, a study guide, and a Scripture index.
The past decade has seen a profound shift in our collective understanding of the digital network. What was once understood to be a transcendent virtual reality is now experienced as a ubiquitous grid of data that we move through and interact with every day, raising new questions about the social, locative, embodied, and object-oriented nature of our experience in the networked world. In The Emergence of the Digital Humanities, Steven E. Jones examines this shift in our relationship to digital technology and the ways that it has affected humanities scholarship and the academy more broadly. Based on the premise that the network is now everywhere rather than merely "out there," Jones links toge...
The Meaning of Video Games takes a textual studies approach to an increasingly important form of expression in today’s culture. It begins by assuming that video games are meaningful–not just as sociological or economic or cultural evidence, but in their own right, as cultural expressions worthy of scholarly attention. In this way, this book makes a contribution to the study of video games, but it also aims to enrich textual studies. Early video game studies scholars were quick to point out that a game should never be reduced to merely its "story" or narrative content and they rightly insist on the importance of studying games as games. But here Steven E. Jones demonstrates that textual s...