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Least Wanted
Punks, sneaks, mooks and miscreants. Hookers, stooges, grifters and goons. Men and women, elderly and adolescent, rich and poor, but mostly poor. These are the Least Wanted. Their portraits make up a small part of Mark Michaelson's collection of over 10,000 American mugshots from the 1870s to the 1960s. Created as utilitarian instruments, and meant to be destroyed when obsolete, they survive as remnants of a bygone era of hard-copy originals, extraordinary visual windows on the past, and riveting physical artifacts, often accompanied by municipal ephemera. They are glued to cards and manuscripts, typed on and rubber stamped. Each suspect has been measured and fingerprinted, documented and cl...
My Favorite Thing is Monsters
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
Max's Kansas City
"Published in conjunction with an exhibition at Steven Kasher Gallery, New York, 2010"--Colophon.
Power to the People
This pictorial history tells the story of the revolutionary Black Panther Party in the words of its co-founder, Bobby Seale. Coming toward the end of America’s epic Civil Rights Movement, the Black Panther Party was one of the most creative and influential responses to racism and inequality in American history. They advocated armed self-defense to counter police brutality, and initiated a program of patrolling the police with shotguns—and law books. In words and photographs, Power to the People explores the impact and achievements of this revolutionary organization. The words are Seale’s, with contributions by other former party members. The photographs are by Stephen Shames, the Panther’s most trusted documentarian. Power to the People is a testament to their warm association, combining Shames’s memorable images with Seale’s colorful in-depth commentary culled from many hours of conversation. Shames also interviewed major party figures for this volume, including Kathleen Cleaver, Elbert “Big Man” Howard, Ericka Huggins, Emory Douglas, and William “Billy X” Jennings. His photography is supplemented with Panther ephemera and graphic art.
Blind Spot
The shadow of a tree in upstate New York. A hotel room in Switzerland. A young stranger in the Congo. In Blind Spot, readers will follow Teju Cole's inimitable artistic vision into the visual realm, as he continues to refine the voice and intellectual obsessions that earned him such acclaim for Open City. In more than 150 pairs of images and surprising, lyrical text, Cole explores his complex relationship to the visual world through his two great passions: writing and photography. Blind Spot is a testament to the art of seeing by one of the most powerful and original voices in contemporary literature.
How New York Breaks Your Heart
Bill Hayes's critically acclaimed memoir Insomniac City provided a first look at his unique street photography. Now he presents an exquisite collection that captures the full range of his work and the magic of chance encounters in New York City. Hayes's "frank, beautiful, bewitching" street photographs "unmask their subjects' best and truest selves" (Jennifer Senior, New York Times): A policeman pauses at the end of a day. Cooks sneak in cigarette breaks. A pair of movers plays cards on the back of a truck. Friends claim the sidewalk. Lovers embrace. A flame-haired girl gazes mysteriously into the lens. And park benches provide a setting for a couple of hunks, a mom and her baby, a stylish nonagenarian . . . How New York Breaks Your Heart reveals ordinary New Yorkers at their most peaceful, joyful, distracted, anxious, expressive, and at their most fleeting--bringing the texture of the city to vivid life. Woven through with Hayes's lyric reflections, these photos will, like the city itself, break your heart by asking you to fall in love.
America and the Tintype
One of the most intriguing and little studied forms of 19th century photography is the tintype. This title demonstrates how this inauspicious form of photography provides extraordinary insight into the development of national attitudes and characteristics in the formative years of the early modern era.
Fred W. McDarrah: New York Scenes
During his 50-year association with the Village Voice, Fred W. McDarrah (1926–2007) covered the city’s downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafés, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city’s avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today.
In the Vale of Cashmere
In the Vale of Cashmeremarks the culmination of acclaimed photographer Thomas Roma'sfour-year odyssey into a densely wooded, secluded corner of Brooklyn's Prospect Park, where gay cruising dominates the footpaths and trails. The Vale ofCashmere, a name that dates back to the 1890s, has long been a meeting place for gay men. and currently, mostly Black men. However, encounters occur between men of all walks of life, as well as gender and sexual identities. With his large, tripod-mounted, hand-made camera, Roma stepped into the center of this community, an obvious but mostly ignored presence. Understandably, many of the menRoma approached to photograph in a formal portrait were not interested,...
Bronx Boys
"A photographic essay offering an unflinching look at boys growing up on the mean streets of the Bronx"--
