Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Everyday Modernity in China (Studies in Modernity and National Identity; A China Program Book)
Essays address expressions of modernity in relation to non-Western politics and national cultures. Topics range from the installation of gas streetlights in Shanghai to urban planning efforts aimed at improving daily routines of work and leisure.
Nationalism and Social Theory
Why has nationalism proved so durable? What are the roots of its appeal? This sharp and accessible book slices through the myths surrounding nationalism and provides an important new perspective on this perennial subject. The book argues that: nationalism is persistent, not merely because of its specific ideological appeal, but because it expresses some of the major conflicts in modernity; nationalism reflects and reinforces four key trends in western social development: state formation, democratization, capitalism and the rationalization of culture; the forms of nationalism can be organized into a comprehensive typology which is outlined in the course of this study; post-nationalism and cosmopolitanism are significant innovations in the debate about nation-states and nationalism; and that the new radical nationalisms have become powerful new movements in the global age.
Modernism and Nation Building
Architectural historian and philosopher Bozdogan began planning this study while she was researching her book on Turkish architect Sedad Hakki Eldem. Now based in Boston, she situates Turkish architecture during the early decades of the 20th century within the contexts of nationalist impulses and modern architecture in western culture generally. Annotation copyrighted by Book News, Inc., Portland, OR
Design and Modernity in Asia
Addressing histories of modernism, the discourse of modernity and modernisation processes in national and transnational contexts, this book examines different designs for and meanings of 'modern living' across 20th-century Asia. Design and Modernity in Asia contributes to the fast-growing body of literature on postcolonial modernism and non-Western global design history, with particular focus is on post-civil war and postcolonial years in Asia. The book develops methodological approaches to studying Asian modern design history and explores how marginalised individuals and groups encountered or experienced modernity. Most previous research on modernism and modernity in Asia has focused on cer...
Enchantments of Modernity
The notion of modernity hinges on a break with the past, such as superstitions, medieval worlds, and hierarchical traditions. It follows that modernity suggests the disenchantment of the world, yet the processes of modernity also create their own enchantments in the mapping and making of the modern world. Straddling a range of disciplines and perspectives, the essays in this edited volume eschew programmatic solutions, focusing instead in new ways on subjects of slavery and memory, global transformations and vernacular and vernacular modernity, imperial imperatives and nationalist knowledge, cosmopolitan politics and liberal democracy, and governmental effects and everyday affects. It is in these ways that the volume attempts to unravel the enchantments of modernity, in order to approach anew modernity's constitutive terms, formative limits, and particular possibilities.
Rethinking Modernity and National Identity in Turkey
In the first two decades after W.W.II, social scientist heralded Turkey as an exemplar of a 'modernizing' nation in the Western mold. Images of unveiled women working next to clean-shaven men, healthy children in school uniforms, and downtown Ankara's modern architecture all proclaimed the country's success. Although Turkey's modernization began in the late Ottoman era, the establishment of the secular nation-state by Kemal Ataturk in 1923 marked the crystallization of an explicit, elite-driven 'project of modernity' that took its inspiration exclusively from the West. The essays in this book are the first attempt to examine the Turkish experiment with modernity from a broad, interdisciplinary perspective, encompassing the fields of history, the social sciences, the humanities, architecture, and urban planning. As they examine both the Turkish project of modernity and its critics, the contributors offer a fresh, balanced understanding of dilemmas now facing not only Turkey but also many other parts of the Middle East and the world at large.
Modernity, Nation and Urban-Architectural Form
This book explores how Malaysia, as a multicultural modern nation, has approached issues of nationalism and regionalism in terms of physical expression of the built environment. Ever since the nation’s post-Colonial era, architects and policy makers have grappled with the theoretical and practical outcomes of creating public architecture that effectively responds to traditions, nationhood and modernity. The authors compile and analyse prevailing ideas and strategies, present case studies in architectural language and form, and introduce the reader to tensions arising between a nationalist agenda and local ‘regionalist’ architectural language. These dichotomies represent the very nature of multicultural societies and issues with identity; a challenge that various nations across the globe face in a changing environment. This topical and pertinent volume will appeal to students and scholars of urban planning, architecture and the modern city.
Fragments of Development
By tracing out the intersection between the imagined space of the national economy and the gendered construction of "expert" knowledge in development thought, Suzanne Bergeron provides a provocative analysis of development discourse and practice. By elaborating a framework of including/excluding economic subjects and activities in development economics, she provides a rich account of the role that economists have played in framing the contested political and cultural space of development. Bergeron's account of the construction of the national economy as an object of development policy follows its shifting meanings through modernization and growth models, dependency theory, structural adjustm...
Spain Beyond Spain
Spain Beyond Spain: Modernity, Literary History, and National Identity is a collection of essays in modern Spanish literary and cultural studies by sixteen specialists from Spain, the United States, and Great Britain. The essays have a common point of origin: a major conference, entitled Espana fuera de Espana: Los espacios de la historia literaria, held in the spring of 2001 at Harvard University. The essays also have a common focus: the fate of literary history in the wake of theory and its attendant programs of inquiry, most notably cultural studies, post colonial studies, new historicism, women's studies, and transatlantic studies. Their points of arrival, however, vary significantly. What constitutes Spain and what counts as Spanish are primary concerns, subtending related questions of history, literature, nationality, and cultural production. Brad Epps is Professor of Romance Languages and Literatures and of the Committee on Degrees in Women's, Gender, and Sexuality Studies at Harvard University. Luis Fernandez Cifuentes is Robert S. and Ilse Friend Professor of Romance Languages and Literatures at Harvard University.
Hybrids of Modernity
Hybrids of Modernity considers the relationship between three western modernist institutions: anthropology, the nation state and the universal exhibition. It looks at the ways in which these institutions are linked, in how they are engaged in the objectification of culture, and in how they have themselves become objects of cultural theory, the targets of critics who claim that despite their continuing visibility these are all institutions with questionable viability in the late 20th century. Through analysis of the Universal Exhibition held in seville in 1992, the themes of culture, nationality and technology are explored. Particular attention is paid to how "culture" is produced and put to work by the national and corporate participants, and to the relationship between the emergence of culture as commodity and the way in which the concept is employed in contemporary cultural theory.
