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Studio Marconi (Milan, Italy)
  • Language: en

Studio Marconi (Milan, Italy)

  • Type: Book
  • -
  • Published: Unknown
  • -
  • Publisher: Unknown

None

Studio Marconi
  • Language: it

Studio Marconi

  • Type: Book
  • -
  • Published: 1973
  • -
  • Publisher: Unknown

None

Studio Marconi, 1966-76
  • Language: it

Studio Marconi, 1966-76

  • Type: Book
  • -
  • Published: 1976
  • -
  • Publisher: Unknown

None

Calder
  • Language: en
  • Pages: 24

Calder

  • Type: Book
  • -
  • Published: 1971
  • -
  • Publisher: Unknown

None

Bruno Di Bello
  • Language: it
  • Pages: 7

Bruno Di Bello

  • Type: Book
  • -
  • Published: 1971
  • -
  • Publisher: Unknown

None

Grafica
  • Language: it
  • Pages: 50

Grafica

  • Type: Book
  • -
  • Published: 1980
  • -
  • Publisher: Unknown

None

Aphoto
  • Language: de
  • Pages: 110

Aphoto

  • Type: Book
  • -
  • Published: 1977
  • -
  • Publisher: Unknown

None

Italiana '60
  • Language: it

Italiana '60

  • Type: Book
  • -
  • Published: 1990
  • -
  • Publisher: Unknown

None

Man Ray
  • Language: it
  • Pages: 1

Man Ray

  • Type: Book
  • -
  • Published: 1969
  • -
  • Publisher: Unknown

None

Studio Marconi 1966-1980
  • Language: en

Studio Marconi 1966-1980

  • Categories: Art

During the height of the economic boom of the 1960s, Giorgio Marconi began his career as a gallerist by opening Studio Marconi in via Tadino 15, a space for exhibitions and a meeting point for young artists, intellectuals, critics, and collectors who gathered to discuss the artistic and non-artistic landscape of the time. From these exchanges of ideas, Studio Marconi began to conceive the possibility of a periodic publication project, becoming an editor as well. This volume presents the complete publication of Decennale dello Studio Marconi 1966/76, produced for the gallery's tenth anniversary, as well as two other types of periodic publications: magazines printed on newsprint and small notebooks/bulletins, thus retracing years of Studio Marconi's history. An interview by Hans Ulrich Obrist with Valerio Adami completes this analysis.