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Spinoza's Overcoat
‘It starts to rain as I step out of my hotel ....’ So begins Subhash Jaireth's striking collection of essays on the writers, and their writing, that have enriched his own life. The works of Franz Kafka, Marina Tsvetaeva, Mikhail Bulgakov, Paul Celan, Hiromi Ito, Dutch philosopher Baruch Spinoza and others ignite in him the urge to travel (both physically and in spirit), almost like a pilgrim, to the places where such writers were born or died or wrote. In each essay a new emotional plane is reached revealing enticing connections. As a novelist, poet, essayist and translator born into a multilingual environment, Jaireth truly understands the power of words across languages and their integ...
Moments
'When I listen to Bach, I seem to turn into a fish'. - Bach (Pau) in Love. 'We forget because we want to live. We forget because we live in hope for a better life. It's this wretched hope that demands that we forget the unforgettable'. - The Last Smile of Graf Tolstoy. These stories explore the nature of love, loss and memory: central to them is the uneasiness the narrators feel about their place in the world. A critical moment in the life of each narrator illuminates these themes in remarkable ways. For instance, in the story 'Walter Benjamin's Pipe' the narrator wants to comprehend that critical moment when Walter Benjamin, the famous Jewish-German philosopher and literary critic, decided ...
After Love
Vasu, a young Indian student of architecture, arrives in Moscow in the late 1960s. He falls in love with Anna, an archaeologist and an accomplished cellist, yet his romanticism about the Soviet Union clashes with her experience. He goes back to India to design a village for a co-operative of coffee farmers, but he cannot forget Anna and on his return they marry. Anna wants to leave Moscow but isn’t keen to go to India. They decide to go to Venice where Vasu has been offered a teaching position. In Italy their life unravels when Anna mysteriously disappears without a trace. Years later, Vasu discovers a painful but wonderful truth. A beautifully written story full of music and emotions that moves with ease across continents,After Love is destined to touch the hearts of readers everywhere
Mineral Deposit Research: Meeting the Global Challenge
In June 1965, a small group of European economic geologists gathered in Heidelberg, Germany, at the invitation of Professor G. C. Amstutz and decided to establish the Society for Geology Applied to Mineral Deposits (SGA) and to start a journal to be called Mineralium Deposita. The first issue of the journal came out in May 1966, and has now matured to a leading journal in economic geology The first Biennial SGA Meeting was held successfully in Nancy, France, in 1991, with subsequent meetings in Grenada (Spain; 1993), Prague (Czech Republic; 1995), Turku (Finland; 1997), London (United Kingdom; 1999), Krakov (Poland; 2001) and Athens (Greece; 2003). In 2002, th the SGA Council decided that it...
Aflame
Aflame begins in Soviet Moscow and ends with a Tibetan Buddhist monk's self-immolation; residing between them - improvisations after celebrated Japanese Haikus. Written in an intricate and polyphonic structure, Subhash Jaireth's rare and carefully crafted rhythms reveal the creeping melancholic joy of silence and life's elusive beauty.
Incantations
In Incantations, Subhash Jaireth responds through a series of short prose pieces to portraits of famous and everyday Australians in an attempt to rethink the role of place, identity and the self. It is an ekphrastic exercise, in that it reinterprets an artwork in writing, but it is also a lyrical exploration of what art can mean: its power to move, to know, and to feel.
George Orwell’s Elephant & Other Essays
In his new collection of essays Subhash Jaireth traverses the globe in an exploration of the personal and collective memory held within natural and built landscapes. His roving curiosity takes us from his early life in Delhi to his years as a student in Soviet-era Moscow. We travel to Burma with George Orwell and battle windmills in Spain with Don Quixote. Jaireth walks us through the landscapes around Uluru, Canberra and Sydney with the sharp gaze of a geologist and the imagination of a poet. We follow the roots of an old banksia tree in his garden, the traces left by ancient rivers and seas, and stories passed down from time immemorial. In George Orwell’s Elephant & Other Essays, Jaireth draws his life’s emotional map right on the soil under his feet, and in the process unearths narratives, characters and places that leave us aware of the layers of memory and meaning that shimmer all around us.
Different Lives
Internationally acclaimed biographies are almost always written by British or American biographers. But what is the state of the art of biography in other parts of the world? Introduced by Richard Holmes, the volume Different Lives offers a global perspective: seventeen scholars vividly describe the biographical tradition in their countries of interest. They show how biography functions as a public genre, featuring specific societal issues and opinion-making. Indeed, the volume aims to answer the question: how can biography contribute to a better understanding of differences between societies and cultures? Special attention is given to the US, China and the Netherlands. Other contributions a...
Labels and Locations
Some happy occasions, like the 1995 Commonwealth Writers’ Prize for Best Book to Bangladeshi-Australian author Adib Khan, the 2008 Man Booker Prize to Indian born Australian writer Arvinda Adiga, and the 2013 Australian Prime Minister’s Literary Award for Fiction to Sri Lankan-Australian author Michele de Krester, have boosted the self-confidence of South Asian-Australian writers in Australia. South Asian diasporic communities have also been the focus for relatively small, but constantly growing, studies by anthropologists and sociologists on the interrelation of gender, race, ethnicity and migration in Australia. The terms Labels and Locations capture numerous aspects that contribute in...
State Laughter
Stalin's reign of terror was not all doom and gloom, much of it was (meant to be) funny! Tracing the development of official humour, satire, and comedy, Dobrenko and Jonsson-Skradol do away with the idea that all humour in the USSR was subversive, instead exploring why laughter was a core component to the survival of the Soviet regime.
