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UpSet Press has restored to print Suheir Hammad's first book of poems, Born Palestinian, Born Black, originally published by Harlem River Press in 1996. The new edition is augmented with a new author's preface, and new poems, under the heading, The Gaza Suite, as well as a new publisher's note by Zohra Saed, an introduction by Marco Villalobos, and an afterword by Kazim Ali.
Brooklynite Hammad may be the first Palestinian-American to make it big in the spoken-word, or performance poetry, scene: she took part in Russell Simmons's Tony Award-winning Def Poetry Jam and has read on (among other venues) National Public Radio. Her first collection is also the first book from the Cypher imprint, edited by spoken-word elder statesman Willie Perdomo. Inspired both by her links to the Arab world and by the styles and stances of such earlier poet-performers as Nikki Giovanni, Hammad celebrates and defends her heritage ("i want to be open and hide/ the children of Palestine within me") and can be equally passionate about daily life in her home borough: "if you can make it here/ you got nothing to fear," the poem called "brooklyn" says. With the book comes a CD of Hammad in energetic performance, including a brief interview with the poet's father (subject of her poem "daddy's song") and, apparently, a bag of the Mideastern spice zataar. Leading off the CD is one of Hammad's best poems, the ironic "mic check," whose title refers to sound equipment and to an airport search performed by a hapless guy named Mike. (Jan.).--
Poetry. In BREAKING POEMS Suheir Hammad departs from her previous poetry books with a bold and explosive style to do what the best poets have always done: create a new language. Using "break" as a trigger for every poem, Hammad destructs, constructs, and reconstructs the English language for us to hear the sound of a breath, a woman's body, a land, a culture, falling apart, broken, and put back together again. "Suheir Hammad's BREAKING POEMS introduces English to an Arabic vernacular that startles into being an altogether new language, bridging the archipelago of a Palestine under siege to the diaspora and beyond, breaking through convention, breaking open locks on mind and heart, breaking i...
As a young Palestinian woman raised in Brooklyn, during the rise of crack and Hip Hop, Suheir developed her own ideas of what words such as "race" and "culture" meant to her. Drops of This Story is her young soul in words. Readers will feel the growing paints of the young woman of color as she tries to write herself into existence.
"It's where Walt Whitman meets Michael Jackson. It's where Emily Dickinson meets Mary J. Blige. It's Russell Simmons Def Poetry Jam, the lyrical, smart, hilarious, and searingly honest new show that has become a true phenomenon on Broadway, earning critical raves and drawing huge cheers nightly. Def Poetry Jam is an experience that's not to be missed: Nine gifted, young poets speaking from the heart about everything from love to sex, politics, and Krispy Kreme donuts. If Langston Hughes or Virginia Woolf were alive today, this is what they'd sound like. The roster includes both well-established and up-and-coming poets -- including Suheir Hammad, author of Born Palestinian, Born Black; Black ...
This book explores the varied forms of gender politics that have surfaced in Palestinian literature and film since 1948. Ball investigates the potential of postcolonial feminist theory to illuminate the ways in which Palestinian artists have negotiated the intersections between national and gender politics.
Fresh from her Tony-Award winning stint in Russell Simmons Presents Def Poetry Jam on Broadway and a subsequent 51-city tour, Suheir Hammad has written her first collection of poetry since Born Palestinian, Born Black, published when she was just 22 years old. ZaatarDiva is poetry about love, politics and art, all coming out of Hammad's bag of zaatar. The poems in this collection are at once seductive and dangerous; they are possessed by a singular lyricism and awareness.
A collection of poems and prints predominately by self-identified Palestinian poets living in the United States.
A stunning array of women writers from the U.S. and abroad examine the intimate and politically charged act of writing.
Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanafani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah--an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.