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Collected Papers on Economic Policy in China
This book includes Dual economy as a stage of economic development by CAI Fang; Agglomeration paterns, features of the labor market and wage-productivity differences by ZHAO Wei, SUI Yuehong; The nonlinear transmission effect of international factors to Chinese inflation by OUYANG Zhigang, QIAN Li; Estimation of the dependence of Japanese economic growth on China's demand by TAO Tao; Deposit rate ceiling, financial disintermediation and monetary policy transmission by YANG Fei; On effects of dynamic evolution of industrial agglomeration on pollution abatement by XIE Ronghui, YUAN Yijun; and Is the comparative efficiency of grain production low in China? by LI Shouhan, HE Xiurong, YANG Shuguo. All papers in this book are translated under the JTP of CNKI supported by the National Special Fund for Cultural Industry Development in China.
Easy to understand Zi Wei Dou Shu
This book is primarily intended for looking up Zi Wei Dou Shu terms by users who do not know about ZWDS and beginners rather than a ZWDS chart reading guide book. However, if you have a grasp of the book, you will naturally know how to read a ZWDS chart. It is because the book helps you understand each brick and general structure of a house. Once you have a solid understanding, you can naturally build the house. All learning subjects have static and dynamic aspects. The static part is temporarily acquired by the learner, usually consisting of prerequisites and conceptual definitions. The static part is inherited from previous scholars and classic texts. The dynamic part is the result of the user's experience and the consolidation of knowledge. There are exceptional users who have the ability to revisit and upgrade the static part, such as Albert Einstein. But for most of us, when we first learn, we have to absorb the classical knowledge first and then apply and transform it later. Within the framework of this book, the terms are only explained in the most basic way to give you an idea and visualization, rather than providing complete and perfect explanations.
Fishes of Indian Ocean
English and Japanese parallel texts.
Beast Mastery: Loser Princess
She was the haggard eldest miss of the Prime Minister's Estate. Her beauty was gorgeous, but she was a good-for-nothing. His death was greeted with a powerful soul. Beast taming, pill concocting, and male sex treatment were all very easy to deal with. He was the well-known retarded emperor of the West Yuan Kingdom. She was forced to marry him, but on her wedding night, she was almost eaten clean. It turned out that the wolf was pretending to be a sheep, because it had a black stomach. It had to be a pitiful appearance. She tried to resist, but she didn't know who would fall.
Men and Masculinities in Contemporary China
In Men and Masculinities in Contemporary China, Geng Song and Derek Hird offer an account of Chinese masculinities in media discourse and everyday life, covering masculinities on television, in lifestyle magazines, in cyberspace, at work, at leisure, and at home. No other work covers the forms and practices of men and masculinities in contemporary China so comprehensively. Through carefully exploring the global, regional and local influences on men and representations of men in postmillennial China, Song and Hird show that Chinese masculinity is anything but monolithic. They reveal a complex, shifting plurality of men and masculinities—from stay-at-home internet geeks to karaoke-singing, relationship-building businessmen—which contest and consolidate “conventional” notions of masculinity in multiple ways.
閱紅樓夢隨筆
None
Historical Dictionary of Chinese Cinema
Motion pictures were first introduced to China in 1896 and today China has become a major player in the film industry. However, the story of how Chinese cinema became what it is today is an exceptionally turbulent one. It encompasses incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. The Historical Dictionary of Chinese Cinema covers the history of Chinese cinema from its very beginning in 1896 to the present. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section contains several hundred cross-referenced dictionary entries on films, directors, and historical figures. This book is an excellent access point for anyone interested in Chinese cinema and for scholars interested in investigating ideas for future research.
