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Reading Sulpicia
Focusing on the representation of the Augustan poet Sulpicia in commentaries, this book investigates the interpretative strategies involved in the reading of an ancient text. Mathilde Skoie discusses a selection of commentaries from the Renaissance to the present day, combining the history ofclassical scholarhip, philology, feminist literary theory, and reception theory.The six short love poems of Sulpicia (Corpus Tibullianum 3. 13-18) have, throughout history, been the subject of numerous different interpretations and judgements. The poems' ambivalent status as poetry, the uncertainties surrounding authorship, the female intrusion in a male-dominated world, andquestions about canon and 'feminine Latin' are some of the many issues that make them interesting for an investigation of classical scholarship. The poems can thus be used as a showcase for how commentaries are an interpretative and historically situated genre.Reading Sulpicia is the first monograph on Sulpicia and her reception, and thereby fills a gap in the literature concerning both reception studies and the study of Sulpicia herself.
The Poems of Sulpicia
Sulpicia's poems appear in the manuscript of Tibullus and were at one time attributed to him. Now these intriguing poems are recognised to be the only known poems by a woman of Ancient Rome.
Women Writers of Ancient Greece and Rome
Despite a common perception that most writing in antiquity was produced by men, some important literature written by women during this period has survived. Edited by I. M. Plant, Women Writers of Ancient Greece and Rome is a comprehensive anthology of the surviving literary texts of women writers from the Graeco-Roman world that offers new English translations from the works of more than fifty women. From Sappho, who lived in the seventh century B.C., to Eudocia and Egeria of the fifth century A.D., the texts presented here come from a wide range of sources and span the fields of poetry and prose. Each author is introduced with a critical review of what we know about the writer, her work, and its significance, along with a discussion of the texts that follow. A general introduction looks into the problem of the authenticity of some texts attributed to women and places their literature into the wider literary and social contexts of the ancient Graeco-Roman world.
Poems without Poets
The canon of classical Greek and Latin poetry is built around big names, with Homer and Virgil at the center, but many ancient poems survive without a firm ascription to a known author. This negative category, anonymity, ties together texts as different as, for instance, the orally derived Homeric Hymns and the learned interpolation that is the Helen episode in Aeneid 2, but they all have in common that they have been maltreated in various ways, consciously or through neglect, by generations of readers and scholars, ancient as well as modern. These accumulated layers of obliteration, which can manifest, for instance, in textual distortions or aesthetic condemnation, make it all but impossibl...
The Woman and the Lyre
In this overview of women writers of antiquity Snyder shows that we have far more evidence for for female literary endeavour than might be thought, analysing works by such authors as Myrtis, Korinna, Leonton, Theano, Hortensia and Egeria among many others, alongside the more famous Sappho.
Forms and imaginings
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