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Guide to Capturing a Plum Blossom
"It is one of the very first art books which helped artists develop the aptitude for seeing the inner essence of various natural phenomena."—Shambhala Sun "Red Pine introduces Western readers to both the text itself and the traditions it has inherited."—Virginia Quarterly Review Through a series of brief four-lined poems and illustrations, Sung Po-jen aims at training artistic perception: how to truly see a plum blossom. First published in AD 1238, Guide to Capturing a Plum Blossom is considered the world's earliest-known printed art books. This bilingual edition contains the one hundred woodblock prints from the 1238 edition, calligraphic Chinese poems, and Red Pine's graceful translati...
Early Chinese Texts on Painting
For students of Chinese art and culture this anthology has proven invaluable since its initial publication in 1985. It collects important Chinese writings about painting, from the earliest examples through the fourteenth century, allowing readers to see how the art of this rich era was seen and understood in the artists’ own times. Some of the texts in this treasury fall into the broad category of aesthetic theory; some describe specific techniques; some discuss the work of individual artists. The texts are presented in accurate and readable translations, and prefaced with artistic and historical background information to the formative periods of Chinese theory and criticism. A glossary of terms and an appendix containing brief biographies of 270 artists and critics add to the usefulness of this volume.
Bulletin
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This authoritative, bilingual edition represents the first time the entirety of Cold Mountain's poetry has been translated into English. These translations were originally published by Copper Canyon Press nearly twenty years ago. Now, significantly revised and expanded, the collection also includes a new preface by the translator, Red Pine, whose accompanying notes are at once scholarly, accessible, and entertaining. Also included for the first time are poems by two of Cold Mountain's colleagues. Legendary for his clarity, directness, and lack of pretension, the eight-century hermit-poet Cold Mountain (Han Shan) is a major figure in the history of Chinese literature and has been a profound i...
The Chinese Literati on Painting
This classic work, first published in 1971, explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush’s investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims. Bush’s perspective on Sung scholars’ art and theory helps explain the emergence of literati painting as the main artistic tradition in Yuan times. Social history thus served to supplement an understanding of the evolution of artistic styles.
The March of the Barbarians
An account of four generations of Mongol leaders, from Genghis Khan, through his sons, grandsons, and great-grandsons. The book is arranged into a series of narratives, which are grouped dynastically and chronologically covering the span of the Thirteenth Century, and dealing with the process by which the Mongols came to dominate Central Asia and spread outwards to come into contact with Europe, the Indian sub-continent, and China.
A House Called Tomorrow
Copper Canyon Press celebrates its first 50 years of poetry publishing in anticipation of the next 50 years. Poetry is vital to language and living. This anthology celebrates 50 years of Copper Canyon Press publications, one extraordinary poem at a time. Since its founding, Copper Canyon has been entirely dedicated to publishing poetry books; here Editor in Chief Michael Wiegers invites press staff and board—past and present—to help curate a retrospective. The result is a collection of beloved poems from books spanning half a century: representing Pulitzer Prize-winning books, debut collections, works in translation, and rare books from Copper Canyon’s early days. This book is a tribute to Copper Canyon poets and readers everywhere, because, as Gregory Orr writes, “Certain poems / In an uncertain world— / The ones we cling to: // They bring us back.”
Shambhala Sun
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