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The Ottoman Empire and the World Around it
In Islamic law the world was made up of the 'House of Islam' and the 'House of War' with the Ottoman Sultan - successor to the early Caliphs - as supreme ruler of the Islamic world. However, in this ground-breaking study of the Ottoman Empire in the early modern period, Suraiya Faroqhi demonstrates that there was no 'iron curtain' between the Ottoman and 'other' worlds but rather a long-established network of connections - diplomatic, trading and financial., cultural and religious. These extended beyond regional contacts to the empires of Asia and the burgeoning 'modern' states of Europe - England, France, the Netherlands and Venice. Of course, military conflict was a constant factor in thes...
Women in the Ottoman Empire
Among the townspeople, peasants and nomads subject to the sultans, who might be Muslims or non-Muslims, adult Muslim males were first-class subjects and all others, including Muslim boys and women, were of the second class. As for the female members of the elite, while less privileged than the males, in some respects their life chances might be better than those of ordinary women. Even so, they shared the risks of pregnancy, childbirth and epidemic diseases with townswomen of the subject class and to a certain extent, with village women as well. Thus, the study of Ottoman women is useful for understanding Ottoman society in general. In this book, the agency of women from a diverse range of class, religious, ethnic, and geographic backgrounds is woven into the social and political history of the Ottoman Empire, from the early-modern period to its dissolution in 1918.
Living in the Ottoman Ecumenical Community
This book dedicated to Suraiya Faroqhi regards the Ottoman Empire rather as an Ecumenical Community than only as a polity. The contributions included in this volume describe some of the close contacts between various ecumenical communities within and beyond the Ottoman borders, and their interaction in the early modern "one world" to which Ottoman Empire belonged.
Travel and Artisans in the Ottoman Empire
It has often been assumed that the subjects of the Ottoman sultans were unable to travel beyond their localities - since peasants needed the permission of their local administrators before they could legitimately leave their villages. However Suraiya Faroqhi's extensive archival research shows that this was not the case. Pious men from all walks of life went on pilgrimage to Mecca, slaves fled from their masters and craftspeople travelled in search of work. Faroqhi shows that even those craftsmen who did not travel extensively had some level of mobility. Challenging existing historiography and providing an important new perspective, this book will be essential reading for students and scholars of Ottoman history.
Surviving Istanbul
In Surviving Istanbul, Suraiya Faroqhi takes the reader to seventeenth- and eighteenth-century Istanbul, with occasional forays into earlier and later periods, focusing in particular on the city's ordinary inhabitants. From the foods eaten and the streets traversed, to the miseries endured because of recurring fires, Surviving Istanbul illustrates a city of immigrants, slaves, artisans, and rural dwellers supplying the urban markets, with all the struggles that living in (and around) the city entailed. At the same time, Faroqhi shows, the city's relatively young population also found ways have fun, such as celebrating at public festivals or taking a swim in a river emptying into the Bosporus. Drawig on archival and narrative sources, with particular reliance on the impressions of Evliya Çelebi (1611-about 1685), this book offers a mosaic of daily life in premodern Istanbul.
A Cultural History of the Ottomans
Far from simply being a centre of military and economic activity, the Ottoman Empire represented a vivid and flourishing cultural realm. The artefacts and objects that remain from all corners of this vast empire illustrate the real and everyday concerns of its subjects and elites and, with this in mind, Suraiya Faroqhi, one of the most distinguished Ottomanists of her generation, has selected 40 of the most revealing, surprising and striking.Each image - reproduced in full colour - is deftly linked to the latest historiography, and the social, political and economic implications of her selections are never forgotten. In Faroqhi's hands, the objects become ways to learn more about trade, gender and socio-political status and open an enticing window onto the variety and colour of everyday life, from the Sultan's court, to the peasantry and slavery. Amongst its faiences and etchings and its sofras and carpets, A Cultural History of the Ottomans is essential reading for all those interested in the Ottoman Empire and its material culture. Faroqhi here provides the definitive insight into the luxuriant and varied artefacts of Ottoman world.
The Illuminated Table, the Prosperous House
The Illuminated Table, the Prosperous House brings together fourteen articles by researchers from Turkey and a number of European countries such as France, Germany and Poland. These articles deal with two of the major aspects of material culture, namely food and drink on the one hand, and housing on the other. In no society is it indifferent how people eat and drink, dress and dwell; to the contrary these matters are always highly charged on the symbolic level. Ottoman society had achieved a high degree of coherence in many of its aspects, including material culture. Viewed from the opposite angle, this common material culture may count as one of the indicators that made the empire''s remark...
Subjects of the Sultan
The cultural heritage of the Ottoman Empire has traditionally been presented to us through its monuments and high arts. Our understanding of its culture has thus come from a world created by and for sultans, viziers and the elite of the Empire. But what of the world of the craftsmen and tradesmen who produced the monuments and artefacts? Or the townspeople who prayed in the mosques, drank water from the sebils or passed by the mausolea in the ordinary course of their lives? How did they live and die? To date no book has adequately explored the day-to-day life of the common people during the centuries of Ottoman rule. In this new edition Faroqhi explores the urban world of the Ottoman lands from the Middle Ages to the early 20th century, describing the social significance of the popular arts and crafts of the period and examining the interaction among the diverse populations and classes of the Empire.
Approaching Ottoman History
Suraiya Faroqhi's scholarly contribution to the field of Ottoman history has been prodigious. Her latest book represents a summation of that scholarship, an introduction to the state-of-the-art in Ottoman history. In a compelling exploration of the ways that primary and secondary sources can be used to interpret history, the author reaches out to students and researchers in the field and in related disciplines to familiarise them with these documents. By considering both archival and narrative sources, she explains why they were prepared, encouraging her readers to adopt a critical approach to their findings, and disabusing them of the notion that everything recorded in official documents is necessarily true! While the book is essentially a guide to a complex discipline for those about to embark upon their research, the experienced Ottomanist will find much that is original and provocative in its sophisticated interpretation of the field.
Artisans of Empire
The manufacture and trade in crafted goods and the men and women who were involved in this industry - including metalworkers, ceramicists, silk weavers, fez-makers, blacksmiths and even barbers - lay at the social as well as the economic heart of the Ottoman empire. This comprehensive history, by leading Ottoman historian Suraiya Faroqhi, presents the definitive view of the subject, from the production and distribution of different craft objects to their use and enjoyment within the community. Faroqhi sheds new light on all aspects of artisan life, setting the concerns of individual craftsmen within the context of the broader cultural themes that connect them to the wider world. Combining social, cultural, economic, religious and historical insights, this will be the authoritative work on Ottoman artisans and guilds for many years to come. 'A display of unrivalled knowledge of the sources by one of the leading historians of the Ottoman Empire.' - Erik J. Zürcher, Professor of Turkish Studies at the University of Leiden
