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Examines reggae culture as an expression of cultural, racial, and gender empowerment in the West Indian Diaspora In popular media Caribbean culture has either been reduced to stereotypes of laziness, marijuana, and reggae music, or conversely, to an identity centered around a refutation of colonialism. Both are oversimplifications, and do not explain the enduring Caribbean identity and empowerment throughout the diaspora. Vibes Up offers an exploration of Caribbean culture as it is felt, understood, and expressed, centered on research conducted in Brooklyn and Costa Rica. Sabia McCoy-Torres demonstrates how reggae culture—which encompasses the music and performance modes of both “rootsâ€...
The Routledge Companion to Girls’ Studies is the definitive guide to the international, interdisciplinary, and intersectional field of Girls’ Studies, bringing together leading and emerging scholars across a range of academic disciplines to address timely topics on global girls and girlhoods. Spread across four thematic sections, the essays in this collection offer a glimpse into the evolution of the field, directly challenge and move beyond the field’s early shortcomings, provide compelling examples of current research, and suggest new directions for future Girls’ Studies scholars. Chapters explore the connections between girlhoods and such topics as sexuality, race, ethnicity, religion, education, activism, social-class, ability, gender identity, media representation, and more. The Routledge Companion to Girls’ Studies is of value to scholars and students of gender studies, media studies, sociology, education, health, literature, sexuality studies, communication, child and youth studies, and more.
This is a book about Oscar J. Kincheloe whose life was tragically cut short at age 33 from COVID-19. He lived an extraordinary life impacting hundreds of children and parents in his approximate decade-long career in children’s theater. This book covers his remarkable life from his adoption to the last eight years of his career at LifeStage Theatre in Grapevine, Texas. Much of the book includes powerful testimonies from children and adults alike on how much Oscar meant to them, the impact he had on them, and what a great role model he was. He brought so much joy to many people with his indefatigable zest for life and a hearty laugh and his booming voice that inspired his students. Oscar’s was a life well-lived. He made everyone he came in contact with a better person.
This book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films that have had commercial and/or critical success to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of ‘musical agency’, a term he uses to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves
"As an omnipresent figure of the media landscape, girls are spectacles. They are ubiquitous visual objects on display at which we are incessantly invited to look. Investigating our cultural obsession with both everyday and high-profile celebrity girls, Sarah Projanskyuses a queer, anti-racist feminist approach to explore the diversity of girlhoods in contemporary popular culture. The book addresses two key themes: simultaneous adoration and disdain for girls and the pervasiveness of whiteness and heteronormativity. While acknowledging this context, Projansky pushes past the dichotomy of the "can-do" girl who has the world at her feet and ..."--Publisher description.
This volume represents a clear, jargon-free overview of diagnostic categories with helpful hints regarding a psychiatric interview. Completely revised and updated, detailing current innovations in theory and practice, including recent changes in the DSM-IV.
Ludwig Treiber (Lewis Driver) arrived in America in 1749 from Holland. He changed his name to Driver because that is the meaning of Treiber. He settled in Pennsylvania where he married Barbara Sprenkle and they had eight children. Information on their descendants is included in this volume. Present descendants live in Virginia, California, and elsewhere.