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African Americans in Art
"This book reflects the growing collection of art by African Americans in the city's [Chicago] leading art organization, The Art Institute of Chicago. Intended to provide an overview of the concerns surrounding race in art, to celebrate the achievements of a number of gifted African American artists, and to provide a broad and multifacted view of American art and culture, this book includes four intriguing essays and a stunning portfolio of twenty-nine images illustrated in full color, with informative, brief entries examining individual works"--Publisher's description.
A Home for Surrealism
Chicago has for decades years been one of the most prominent cities where European surrealism is avidly collected and displayed. However, there has yet to be a scholarly exhibition and catalogue that addresses the local manifestations of this international mode of art. A Home for Surrealism focuses on a select group of painters whose work in the 1940s and '50s both transformed the domestic and domesticated the surrealist, particularly in Chicago. Working independently, but within a chain of social and artistic relationships, this group explored the interior as a site of projected imagination and fantasy, and the self as the generator of such altered perception. Including contributions by Robert Cozzolino, Adam Jolles, and Joanna Pawlik, the book provides a richly illustrated account of an international movement's unlikely--but somehow ever so fitting--home in America.
Graphic Modernism
This exhibition catalog highlights a recent gift of works on paper to the Art Institute of Chicago from the Gecht family, longtime Chicago collectors. The catalog comprises 135 drawings, prints, and sculptures from the collection, all of which embody a broad definition of Modernism. The book spans two centuries and contains artists such as Cezanne and Van Gogh as well as Mark Rothko and Philip Guston. Toulouse-Lautrec, Matisse, and Picasso form the backbone of the collection with nearly 30 works of art apiece. Suzanne Folds McCullagh (curator of prints & drawings, Art Inst. of Chicago) provides a short introductory essay that tracks the evolution of the collection. Authored by a bevy of cont...
Chicago by the Book
Despite its rough-and-tumble image, Chicago has long been identified as a city where books take center stage. In fact, a volume by A. J. Liebling gave the Second City its nickname. Upton Sinclair’s The Jungle arose from the midwestern capital’s most infamous industry. The great Chicago Fire led to the founding of the Chicago Public Library. The city has fostered writers such as Nelson Algren, Saul Bellow, and Gwendolyn Brooks. Chicago’s literary magazines The Little Review and Poetry introduced the world to Eliot, Hemingway, Joyce, and Pound. The city’s robust commercial printing industry supported a flourishing culture of the book. With this beautifully produced collection, Chicagoâ...
News from a Radiant Future
In a 1925 article on the post-Revolutionary production of the State Porcelain Factory in Leningrad, the ceramic artist Elena Danko described the factory's wares as "news from a radiant future." This volume is a catalogue of the Art Institute of Chicago's 1992 exhibit of Soviet porcelain from the collection of Craig and Kay Tuber. The essays included in News from a Radiant Future discuss the relationship between Bolshevik propaganda and the state porcelain factory, as well as the larger tradition of Russian imperial ceramics. They also consider porcelain's connection to the Russian folk heritage and specifically to the October Revolution.
