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Poetic text by the artist Susan Fereday, made from synopses from daily TV guides, rewritten in the first person present tense.
Australian artist, Susan Fereday, has produced a book that is part monograph, part photography primer. Using images selected from her exhibitions over the past 25 years, she identifies key ambivalences in the medium of photography: light, memory, time, truth . . . Two essays by Jeffrey Fereday engage current photographic criticism to position Susan Fereday¿s best known series, `The Object of Photography¿, as illuminating recent theoretical debates around the image and the `real¿.
Publication accompanying exhibition by Susan Fereday at the Institute of Modern Art (Qld), September 1994.
Memories of the early years of the Lutheran Retirement Village Glynde. Susan Fereday was one of Ruth and Theo Koch's six daughters who grew up on site during the 1960s and '70s.
Humour, commentary and criticism on motorcycling as pleasure and lifestyle.