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Ink Earl
Shortlisted for the ReLit 2022 Poetry Award ink earl takes the popular subgenre of erasure poetry to its illogical conclusion. Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of “100 essays” and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families. The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths assiduously erased by normative forces. ink earl’s variations are testament in micro to the act of poiesis as not so much a building as an intrepid series of effacements; we rub away at the walls of language we’ve lived within in order to release both what’s been written over, and what we want to say now.
Misled
From tantalizing spins on fairy tales to perilous questions of gender and identity, misled never takes words at face value. Shifts in syntax and self-mirror shifts in health and sexuality while humor, angst and eroticism become the backdrop in a passion play on words. A girl's first crush on a boy transforms into passionate lesbian dreams and encounters. An incomplete memory of a cliche ricochets off the familiar. A writer's contemplation of rewriting leads to a list of things you can rewrite . . . "You can rewrite the bus schedule / but you might just confuse yourself." Through it all, misled dances with equivocation and delights in the enchanting ways in which life and language mislead us all. Shortlisted for the Pat Lowther Memorial Award and the Stephen J. Stephensson Award.
Joy Is So Exhausting
Joyfully melding knowing humour and torqued-up wordplay, Holbrook’s second collection is a comic fusion of the experimental and the experiential, the procedural and the lyric. Punch lines become sucker punches, line breaks slip into breakdowns, the serious plays comical and the comical turns deadly serious. Holbrook’s poems don’t use humour as much as they deconstruct the comic impulse, exposing its roots in the political, the psychological and the emotional life of the mind. Many of these poems import shapes and source texts from elsewhere – home inspection reports, tampon instructions, poems by Lorca – in a series of translations, transpositions and transgressions that invite a more intimate and critical rapport with the written word. This is not merely a book, it is a chocolate-covered artificially intelligent virus with an impish sense of humour that will continue to replicate in your mind long after initial exposure.
How to Read (and Write About) Poetry – Second Edition
How to Read (and Write About) Poetry invites students and others curious about poetry to join the critical conversation about a genre many find a little mystifying, even intimidating. In an accessible, engaging manner, this book introduces the productive questions, reading strategies, literary terms, and secondary research tips that will empower readers to participate in literary analysis. Holbrook explicates a number of poems, initiating readers into critical discourse while highlighting key poetic terms. The explications are followed by selections of related works, so the book thus offers what amounts to a brief anthology, ideal for a poetry unit or introductory class on poetry and poetics. A chapter on meter illuminates the rhythmic dimension of poetry and guides readers through methods of scansion. The second edition is updated throughout and includes a fresh selection of poems and the latest MLA citation guidance.
Throaty Wipes
In 1934, Gertrude Stein asked "What is poetry and if you know what poetry is what is prose." Throaty Wipes answers this question and many more! How does broadband work? Does "chuffed" mean pleased or displeased? What if the generations of Adam had mothers? Through her signature fusion of formal innovation and lyricism, Holbrook delivers what we've been waiting for. Susan Holbrook is the author of three poetry books, including Joy Is So Exhausting and Reading (and Writing About) Poetry (Broadview Press, 2015). She lives in Leamington, Ontario, and teaches at the University of Windsor.
How to Read (and Write About) Poetry - Second Edition
Susan Holbrook's friendly and welcoming introduction to poetry now includes more contemporary poems and updated MLA citation guidance.
Dr. Bob of Alcoholics Anonymous
A.A. Co-founder Dr. Bob stated he had had "excellent training" in the Bible as a youngster in St. Johnsbury, Vermont. This title is a guide to that training and to the multi-volume resource compendium that describes the major influences on his training. They include the Town of St. Johnsbury, the Congregational Churches, his own church--the North Congregational Church, Sunday School, Christian Endeavor Society, the enormous impact of the Fairbanks family on the community and church and educational system, Dr. Bob's own deep family involvement in the church and town activities, the St. Johnsbury Academy, the town library (Athenaeum) and Fairbanks Museum, the YMCA, and the Great Awakening of 1875 that brought revivals, Gospel meetings, conversions, prayer, and Bible study to the fore.
James Madison
James Madison: Philosopher, Founder, and Statesman presents fresh scholarship on the philosophical statesman who served as the nation’s fourth president and who is often called both the father of the U.S. Constitution and the father of the Bill of Rights. These essays by historians and political scientists from the United States and abroad focus on six distinct aspects of Madison’s life and work: his personality and development as a statesman; his work at the Constitutional Convention of 1787 and contributions to larger constitutional design; his advocacy for the adoption of the Bill of Rights; his controversial role as a party leader; his presidency; and his life after leaving office. James Madison continues to be regarded as one of America’s great political theorists, a man who devoted his life to, and who found fulfill- ment in, public service. His philosophical contributions remain vital to any understanding of the modern American polity. This book will be of great interest to political scientists and theorists, as well as to historians of early American history and politics.
Writing in Our Time
Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
