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El Anatsui
This expanded and revised edition celebrates the work of Ghanaian artist El Anatsui by exploring the artist's life and the trajectory of his remarkable career. El Anatsui: Art and Life by Susan Mullin Vogel is the essential resource on the Ghanaian artist known worldwide for spectacular tapestries of reclaimed bottle tops. This revised and expanded book follows Anatsui on his remarkable journey from an obscure university town in Africa to the summit of the global art world. Vogel, whose exhibitions and books have influenced African art history, analyzes Anatsui's unique art form, often quoting the artist's interviews with her. She describes his engagement with African traditions, his early work in clay and wood, a triumphant decade exhibiting radiant metal cloths, then a profound development in the second decade, presented here for the first time. The book takes us inside his busy studio, revealing the gritty reality and the subtle genius of his bottle-top hangings, exhibited in museums and biennials across the world.
Baule
Featuring 250 illustrations, a detailed study of the sculpture of the Baule people of the Ivory Coast--long seen by Westerners as one of Africa's most important artistic traditions--explores the Baules' ways of expression and aesthetic understanding. UP.
Africa Explores
Deelnemende kunstenaars o.a.: Cheri Samba, Iba Ndiaye, Sokari Douglas, Ouattara, Tshyela Ntendu, Mode Muntu, Kivuthi Mbuno, Koffi Kouakou, Trigo Piula, Moke.
El Anatsui
An African artist who has garnered worldwide recognition while based permanently in Nigeria, El Anatsui is best known for shimmering tapestries made from liquor bottle tops, which are part of the permanent collections of many of the world's great museums. Author Susan M. Vogel, who worked closely with Anatsui while directing a documentary film about the artist, offers a uniquely personal perspective on Anatsui and provides the first penetrating study of his artworks. Accompanied by nearly 150 images, this book traces his lifelong exploration of media leading up to the bottle top art form that has captured the interest of the global art world. The book explores the artist's themes of loss, chaos, and decay, his Nigerian University intellectual community, and his creative studio practice. Vogel traces the intertwined threads of Anatsui's ideas, life, and art, from his youthful searching and desire to express Africa's history to today's work that can be immense and ethereal.
Art/artifact
This catalogue presents 160 objects of art and ethnography selected from the distinguished African collections of the Buffalo museum of science, the Hampton university museum (Virginia) and the American museum of natural history (New York City). The essays examine the shifting definitions of art and artifact, and deal with the question of how we look at objects from cultures whose classification systems differ from our own.
Closeup
Catalogue by Anne D'Alleva
The Art of Africa
A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container
Painting 2.0
Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology. In a survey that begins in the mid-twentieth century, long before the birth of the Internet, this book traces painting’s capacity to digest and transform other media, even as its own legitimacy has been questioned. Featuring the work of numerous renowned artists, from Sigmar Polke to Nicole Eisenman and from Cy Twombly to Amy Sillman, the book examines how painting has addressed digital technology as it relates to human experience and perception, and includes three in-depth essays and additional texts by influential thinkers from the field. Comprehensive and lavishly illustrated, the book presents a wide range of works that reconsider the assumed opposition of the digital and the analog, the human and the technological, arguing that painting has served as a means to represent—and even enact—new media. This book affirms the ongoing vitality of the medium of painting in the midst of a digital world.
Women War Photographers
Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years. Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, wh...
