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A study of the influence of environment on culture and social organization among the Khoisan, a cluster of southern African peoples, comprised of the Bushmen or San "hunters," the Khoekhoe "herders", and the Damara, (also herders).
What was it like to be a slave in colonial South Africa? What difference did freedom make? John Edwin Mason presents complex answers after delving into the slaves' experience within the slaveholding patriarchal household, primarily during the period from1820 to 1850.
This volume examines the various abolitionist impulses in the Indian Ocean World during the nineteenth and twentieth centuries, and assesses their efficacy within a context of a growing demand for labour resulting from an expanding international economy and European colonisation.
The series of articles entitled "Virginia Gleanings in England" originally appeared in "The Virginia Magazine of History and Biography." The complete "Virginia Gleanings" series, assembled here in book form, comprises some eighty-five articles, the bulk of them contributed by Lothrop Withington from his post in London. The "gleanings" consist of abstracts of English wills and administrations relating to Virginia and Virginians and bear reference to heirs and issue, family members, administrators, property, bequests, places of residence, and dates of emigration, shedding light on the English origins of Virginia families of the 17th and 18th centuries, and naming some 15,000 persons in passing. These family "gleanings" are furthermore extended backwards and forwards in a remarkable series of textual annotations. The articles are reprinted here in the order in which they appeared in the Magazine and are followed by a complete index of names.
"Tracing all the pre-colonial representations of "Hottentots" and "Hottentotism" operative in early-modern England allows us to see the birth and the development of a prejudice that became central to the nation. In their constructions of "Hottentots" the English found a way to vent their own fear, anger, and conflict about themselves and their society, particularly as they were transforming and redefining their nation as imperial Great Britain. The very invention of the "Hottentots" shows that the English needed to envision a worst people in order to imagine themselves as the world's most advanced people."--BOOK JACKET.
Rendering Violence explores the problems and possibilities that the subject of political violence presented to American painters working between 1830 and 1890, a turbulent period during which common citizens frequently abandoned orderly forms of democratic expression to riot, strike, and protest violently. Examining a range of critical texts, this book shows for the first time that nineteenth-century American aesthetic theory defined painting as a privileged vehicle for the representation of political order and the stabilization of liberal-democratic life. Analyzing seven paintings by Thomas Cole, John Quidor, Nathaniel Jocelyn, George Henry Hall, Thomas Nast, Martin Leisser, and Robert Koeh...