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My work and me
The artist's name identifies the work of art--"a Picasso"--what could be simpler? And yet the relation between the two entities is fraught and inexplicable. Here, more than 30 artists attempt to address their coexistence with their work, including John Baldessari, Keren Cytter, Thomas Demand, Fischli & Weiss, Isa Genzken, Rachel Harrison, Olaf Nicolai, Dan Perjovski, Gregor Schneider and Wolfgang Tillmans.
Faust - Anne Imhof
Anne Imhof confronts the brutality of our time with a hard realism. Her scenarios visualize the constitution of the body in the demarcation of material and discursive, of technological, socioeconomic, and pharmaceutical boundaries. Imhof thus reveals the space between body and reality, the space where our personality comes into being.00Exhibition: German Pavillon, Venice Biennale, Italy (13.05.-26.11.2017).
The International Handbooks of Museum Studies, 4 Volume Set
The International Handbooks of Museum Studies is a multi-volume reference work that represents a state-of-the-art survey of the burgeoning field of museum studies. Featuring original essays by leading international museum experts and emerging scholars, readings cover all aspects of museum theory, practice, debates, and the impact of technologies. The four volumes in the series, divided thematically, offer in-depth treatment of all major issues relating to museum theory; historical and contemporary museum practice; mediations in art, design, and architecture; and the transformations and challenges confronting the museum. In addition to invaluable surveys of current scholarship, the entries include a rich and diverse panoply of examples and original case studies to illuminate the various perspectives. Unprecedented for its in-depth topic coverage and breadth of scholarship, the multi-volume International Handbooks of Museum Studies is an indispensable resource for the study of the development, roles, and significance of museums in contemporary society.
Frank Walter: a Retrospective
A substantial survey on the increasingly popular postwar Caribbean painter, whose subjects and styles ranged from the abstract to the heraldic, Scottish landscapes to the ancient Arawak peoples A brilliant autodidact, Antiguan artist and writer Frank Walter (1926-2009) created amazing, luminously colored landscape paintings, imaginary and real portraits, and near-abstractions that subtly explore themes of class, race, nuclear energy and much more. This substantial paperback volume, published for a major exhibition at the Museum für Moderne Kunst in Frankfurt, appraises his diverse oeuvre in all its visual and thematic richness, introducing a little-known protagonist of Caribbean art, whose oeuvre is only recently beginning to be recognized, to a wider audience.
The Recovery of Discovery
Preserving a monument goes hand in hand with destroying it. In order to preserve architecture, cultural monuments and relics, they are often re-located, allowing urban displacement to arise – leading to the disappearance of the concept of autonomous geography and archaeology.The dislocation of a monument does not only alter the history of its original location, but also leads to a radical re-interpretation of the monument itself.For his exhibition in 2011 at KW Institute for Contemporary Art, Berlin, Cyprien Gaillard created a new work containing complex implications, which will only be revealed through an act of complete defiance.Similar to public amnesia, lost in the hopeless interaction with the monument, the gradual destruction becomes a part of the aesthetic of resistance. This catalogue depicts the gradual destruction of the sculpture.Included is a conversation with Cyprien Gaillard and Susanne Pfeffer.English and German text.
A New Fascism?
The contributions in this book are based on, A New Fascism - a symposium held at Fridericianum, Kassel (2016), in conjunction with the exhibition, Two A.M. by Loretta Fahrenholz. The texts follow the questions: Is there a new fascism emerging? And how can we form a counter-acting power?In her novel entitled Nach Mitternacht (After Midnight, 1937), Irmgard Keun describes everyday life in Nazi Germany in the late 1930s under the dominant influences of fear, government control and despotism. In her exhibition at the Fridericianum, artist Loretta Fahrenholz called attention to similar contemporary phenomena. Based loosely on Keun's exile novel, her Two A.M. was a socio-fiction film in which she ...
Literature, Translation, and the Politics of Meaning
This book deals mostly with American avant-garde literature of the twentieth and twenty-first centuries, and the present-day practice and politics of its translation into Polish, trying to answer the following questions: What are the meaning and the limits of avantgardism? What is the rationale of literary translations and what is their life-cycle in receiving literary polysystems? Furthermore: What is the importance of translation in shaping the politics of meaning – our collective textual practices determining our epistemological perspectives in literature and beyond? And finally: What are the consequences of implementing foreign modes of thinking and making politics in the receiving culture, both in the social sphere and in writing?
Kyungwoo Chun
Kyungwoo Chun: Photographs, Video Performances~ISBN 3-7757-1701-3 U.S. $40.00 / Hardcover, 9.5 x 12 in. / 104 pgs / 68 color. ~Item / February / Art
Albrecht Schäfer
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Helen Marten
Parrot Problems was Turner Prize nominated British artist Helen Marten's first institutional solo exhibition in Germany. Close to an artist book, 40 pages within the catalogue are designed by Helen Marten herself, featuring unique collages. In insightful and precise essays Diedrich Diederichsen and Johanna Burton focus on the 'artist of the hour', who through processes of manipulation, abstraction and shifting resembles recognisable elements anew; piercing the patina of familiarity covering the density and complexity of our everyday material lives. Frozen at full speed in vibration between two and three dimensions, the objects and images by Marten proliferate with models and motifs, which de...
