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Unmaking Mimesis
In Unmaking Mimesis Elin Diamond interrogates the concept of mimesis in relation to feminism, theatre and performance. She combines psychoanalytic, semiotic and materialist strategies with readings of selected plays by writers as diverse as Ibsen, Brecht, Aphra Behn, Caryl Churchill and Peggy Shaw. Through a series of provocative readings of theatre, theory and feminist performance she demonstrates the continuing force of feminism and mimesis in critical thinking today. Unmaking Mimesis will interest theatre scholars and performance and cultural theorists, for all of whom issues of text, representation and embodiment are of compelling concern.
Henry I
Henry I, son of William the Conqueror, ruled from 1100 to 1135, a time of fundamental change in the Anglo-Norman world. This long-awaited biography, written by one of the most distinguished medievalists of his generation, offers a major reassessment of Henry’s character and reign. Challenging the dark and dated portrait of the king as brutal, greedy, and repressive, it argues instead that Henry’s rule was based on reason and order. C. Warren Hollister points out that Henry laid the foundations for judicial and financial institutions usually attributed to his grandson, Henry II. Royal government was centralized and systematized, leading to firm, stable, and peaceful rule for his subjects ...
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Brim
BRIM opens your eyes to creative, artistic worship possibilities. Inside you will find ways to engage your team, worship templates to launch the creative process, and encouragement for the solo worship planner. BRIM combines music, art resources, imagery, digital content, leader devotionals, prayer encounters, practical how-to's and more to jumpstart your creative engine and to create new, meaningful worship experiences.
Theology and Prince
Prince was a spiritual and musical enigma who sought to transcend race and gender through his words, music, and fashion. Raised as a Seventh-Day Adventist and later going door-to-door as a Jehovah’s Witness, he expressed his faith overtly and allegorically, erotically and poetically. Theology and Prince is an edited collection on theology and the life, music, and films of Prince Rogers Nelson. Written for academics yet accessible for the layperson, this book explores Prince’s ideas of the afterlife; race and social justice activism; eroticism; veganism; spiritual alter egos (with a deep dive into the dark character of “Spooky Electric”); a queer listening of the Purple Rain album; the theology of the Graffiti Bridge film (featuring interviews with co-star Ingrid Chavez and other collaborators), and a story from Texas of a Christian worship service designed around Prince’s music in the wake of his passing. Those interested in theology and popular culture; scholars of social justice, racial identity, LGBTQ+ studies, and gender studies; as well as Prince “fams” will find new ways of viewing Prince’s old and new works.
A Spirituality of Listening
God is speaking in our everyday world. How can we become more attuned to listening for God's voice? Keith Anderson walks us through key biblical themes that help us see and experience how God is present with us if we would only listen, paying attention to the moments that make up our days. Listen—and step into a world alive with God's presence.
Brim
Worship Leader Magazine's 2013 Editor's Pick for Service planners category. BRIM opens your eyes to creative, artistic worship possibilities. Inside you will find ways to engage your team, worship templates to launch the creative process, and encouragement for the solo worship planner. BRIM combines music, art resources, imagery, digital content, leader devotionals, prayer encounters, practical how-to's and more to jumpstart your creative engine and to create new, meaningful worship experiences.
Lordship in the County of Maine, C. 890-1160
The social and political meaning of lordship in western France in the tenth and eleventh centuries is the focus of this study. It analyses the development and features of lordship as it was practised and experienced in Maine and the surrounding regions of France, emphasizing the social logic of lordship (why it worked as it did, and how it was socially justifiable and even necessary) and the role of honour and charisma in shaping lordship relationships. The vision and chronology of tenth- and eleventh-century lordship on offer here departs from the model of "feudal mutation", and emphasizes two major themes - the centrality of intangible, charismatic elements of honor, prestige and acclamation, and the lack of foundation for any notion of "feudal transformation": while acknowledging changes in the geography of power across the tenth and eleventh centuries, the argument insists that the practicalities of the practice of lordship remained essentially the same between 890 and 1160. RICHARD E. BARTON is assistant Professor of History, University of North Carolina at Greensboro.
Reunion Tour #5
Ramses has captured Suzanne and is holding her prisoner in Fenhold. She has to find her way free before Ramses decides she's no longer useful to him alive. Meanwhile, Brit and Mikayla have gone to Pyxis, seeking help from their old ally Leo, the new king. But Pyxis is nothing like they remember it, and neither is Leo. The girls have to contend with old enemies and former friends as they try to find a way back together. Queens of Cyberspace is a six-book series from EPIC Press. Some titles may contain explicit content and/or language.
