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Vrysaki
Between 1931 and 1939, central Athens was transformed by the expropriation and demolition of the Vrysaki neighborhood at the foot of the Acropolis. In these few years, more than 5,000 inhabitants were displaced and 348 properties were torn down so that the American School of Classical Studies at Athens (ASCSA) could excavate the ancient Agora; the scale of the project and the degree to which it was documented make this a unique episode in the history of Greek archaeology. Using materials from the ASCSA Archives and a large collection of photographs from the 1930s, this volume details the history of the negotiations, the expropriations, and, most importantly, the Vrysaki neighborhood itself. Illustrating its streets, shops, houses, names, and faces, the author provides a vivid recreation of the community that was Vrysaki.
Hellenistic Pottery
This book presents 847 examples of Hellenistic plain wares from the well-stratified excavations of the Athenian Agora. These pieces include oil containers, household shapes, and cooking pottery.
The Art of Antiquity
The archives of the American School excavations in the Athenian Agora contain a remarkable series of watercolors and drawings - well over 400 - by Piet de Jong, one of the best-known, most distinctive, and influential archaeological illustrators of the 20th century. They show landscapes, people, and, above all, objects recovered during many seasons of fieldwork at one of the longest continuously running archaeological projects in Greece.The aim of this volume is to bring these illustrations out of the storage drawers and to assemble in color a representative sample of some of the finest of Piet de Jong's contributions. Along the way, this book tells the story of the Agora excavations and assesses their contribution to scholarship. It includes essays by 16 scholars currently working at the Agora, and surveys the entire span of the material they are studying - from Neolithic poetry to the Late Byzantine and post-Byzantine frescoes from the Church of Ayios Spyridon.
In Blood and Ashes
In Blood and Ashes provides the first historical study of the development and dissemination of ritualized curse practice in the ancient Greek world (c. 750-250 BCE). Filled with new material and insights, the volume offers a fresh perspective on ancient Greek social history and religion, highlighting the importance of ritual in negotiating life's uncertainties.
Athenian Ostracism and Its Original Purpose
Athenian Ostracism and its Original Purpose analyses the ancient Greek practice of ostracism, through an examination of newly discovered archaeological evidence, a reconstruction of the legal procedure, and an account of its origins.
The Image of the Artist in Archaic and Classical Greece
This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
Fashioning the Future in Roman Greece
Strazdins uses literature, inscriptions, and art to explore the relationship of elite Greeks of the Roman imperial period to time. She establishes that imperial Greek temporality was more complex than previously allowed by detailing how cultural output used the past to position itself within tradition but was crafted to speak to the future.
Souvenirs and the Experience of Empire in Ancient Rome
This book uses ancient souvenirs and memorabilia to reveal the experiences, interests, imaginations, and aspirations of ordinary ancient Romans.
Pindar, Song, and Space
Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built—and a new model for studying the ancient world.
