Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
meXicana Encounters
meXicana Encounters charts the dynamic and contradictory representation of Mexicanas and Chicanas in culture. Rosa Linda Fregoso's deft analysis of the cultural practices and symbolic forms that shape social identities takes her across a wide and varied terrain. Among the subjects she considers are the recent murders and disappearances of women in Ciudad Juárez; transborder feminist texts that deal with private, domestic forms of violence; how films like John Sayles's Lone Star re-center white masculinity; and the significance of la familia to the identity of Chicanas/os and how it can subordinate gender and sexuality to masculinity and heterosexual roles. Fregoso's self-reflexive approach to cultural politics embraces the movement for social justice and offers new insights into the ways that racial and gender differences are inscribed in cultural practices.
New Queer Cinema
B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movem...
Redirecting the Gaze
Redirecting the Gaze is primarily concerned with the cinematic portrayals of women by women directors working outside corporate America and Europe. The book examines cinematic works of the 1980s and 1990s by women filmmakers from Argentina, Bolivia, China, Cuba, India, Mexico, Senegal, Tanzania, and Venezuela, as well as by independent Black American and Chicano women, most of whom are scarcely known in the United States and Europe.
Lourdes Portillo
Filmmaker Lourdes Portillo sees her mission as "channeling the hopes and dreams of a people." Clearly, political commitment has inspired her choice of subjects. With themes ranging from state repression to AIDS, Portillo's films include: Después del Terremoto, the Oscar-nominated Las Madres: The Mothers of the Plaza de Mayo,La Ofrenda: The Days of the Dead,The Devil Never Sleeps, and Corpus: A Home Movie for Selena. The first study of Portillo and her films, this collection is collaborative and multifaceted in approach, emphasizing aspects of authorial creativity, audience reception, and production processes typically hidden from view. Rosa Linda Fregoso, the volume editor, has organized th...
REMEX
REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994–2008). Marshaling over a decade’s worth of archival research, interviews, and participant observation in Mexico City and the Mexico–US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates—City, Woman, and Border. She links the rise of 199...
Numérique et transesthétique
Cet ouvrage articule réflexion théorique et études de terrain autour de trois grandes thématiques : le devenir du film à l'heure de la numérisation digitale, les pratiques artistiques et culturelles liées à l'internet, et l’imaginaire esthétique accompagnant ces dernières technologies.
The Independent
None
Film Library Quarterly
Vols. for 1967/68-70 include: Sneaks, later issued as Film "sneaks" annual.
Image et pédagogie
Etude qui s'articule à la fois sur une longue pratique de production et d'utilisation de documents audio-visuels en situation pédagogique et sur les résultats d'une recherche portant sur l'analyse détaillée d'émissions de télévision scolaire
Le triomphe de la scène intermédiale
À Paris, entre la fin du xixe siècle et le début des années 1930, le cinéma, le disque et la radio triomphent. Dans ce monde du divertissement de plus en plus dominé par l’artifice, le médiatisé et le « reproduit », le théâtre s’affirme comme l’une des ultimes enclaves de vérité, à cause, notamment, de la présence de « vrais » acteurs rencontrant un « vrai » public. Pourtant, ses artisans n’en recourent pas moins aux mêmes technologies de reproduction de l’image et du son que celles qui font le succès des grands médias. Par l’examen attentif de documents d’archives et de « relevés de mises en scène » de dizaines de spectacles, les auteurs de ce livre ...
