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The present "Literature Qf Java, Catalogue Raisonne Qf Javanese Manuscripts" is a publicatiQn of the Library Qf the University Qf Leiden. It is no. IX Qf the series "CQdices Manuscripti" published by this Library, and it is made available tOo the public by the RQyal Institute Qf Linguistics and AnthropQoIDgy. Originally the wQrk was Qnly meant to be a sequel tOo Dr H.H. Juynboll's "Supplement Dp "den CatalQgus van de J avaansche en Madoereesche Handschriften der Leidsche "Universiteits-BibliQtheek" in two volumes. The second volume appeared in 1911. It soon became clear, hQwever, that this was the Dpportunity tOo publish an English Catalogue which could be used as an introductiDn to the stud...
By publishing this handlist on the occasion of the Snouck Hurgronje centenary commemoration the Leyden University Library wishes to express its deep-felt gratitude to that great Arabist and Islamic scholar who directed our Oriental Library Department as Interpres for nearly 30 years and greatly enriched its collections by leaving us his books and manuscripts. Up to now only Snouck Hurgronje's Malay manuscripts were accessible through a printed catalogue made by Prof. dr. Ph. S. van Ronkel. Now the Arabic manuscripts belonging to his collection and numbering nearly three hundred, are being made known for the first time through this list. This is the first catalogue of oriental manuscripts mad...
The starting-point for this series is the belief that a proper study of a language involves listening, reading, speaking and writing. Since the effective use of language is so important, instruction must therefore be made in the living language.
Essentially the following commentary on the contents of the Nägara-Kertägama has been made up from notes by former editors of the text together with remarks, criticisms and digressions by the present author. As Kern, Krom and their contemporaries were especially interested in dynastie history and archeology their notes on those subjects are legion, and as a result of their studies on many points a communis opinio has been reached. The argumentations which led up to this end are not reproduced in the present edition. The interested reader is referred to Krom's great books: Oud-Javaansche Kunst and Hindoe-Javaansche Geschiedenis. It is to be expected that before long the results of Krom's li...
Volume 18 will focus on approaches to thinking about and creating the start-up. Both theoretical and empirical manuscripts that consider all aspects of start-up planning, thinking and action will be considered. We also encourage practice-based research and manuscripts that explore cutting-edge pedagogical approaches.
First comprehensive commentary on a section of Anabasis in English for a century, reflecting scholarly advances for students and scholars.
Once in a relationship with Benjamin Britten, Lennox Berkeley surprised his friends when he married Freda Bernstein in the winter of 1946. In 'Lennox and Freda', Tony Scotland paints a portrait of their unconventional marriage, as well as remembering a way of life which is now long gone.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Situated at the intersections of twentieth-century music history, historiography, and aesthetics, Middlebrow Modernism uses Benjamin Britten’s operas to illustrate the ways in which composers, critics, and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the middlebrow, Christopher Chowrimootoo demonstrates how Britten’s works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, this study offers a powerful model for recovering shades of grey in the traditionally black-and-white historiographies of twentieth-century music.
In this illuminating collection of new interviews, some of the most important women artists practising in Britain today talk about their work, their influences and their relationships, sometimes ambivalent, with the art historical canon. Enlightening and frequently entertaining, the interviews, with artists spanning different generations and working in media as diverse as performance art, painting, sculpture, video and installation, give fascinating first-hand insights into both the artists' lives and the creative process. Fortnum speaks to: Tacita Dean, Tanya Kovats, Christine Borland, Jane Harris, Vanessa Jackson, Tracey Emin, Maria Lalic, Hayley Newman, Sonia Boyce, Emma Kay, Gillian Ayres, Lucy Gunning, Claire Barclay, Maria Chevska, Anya Gallacio, Jemima Stehli, Runa Islam and Paula Rego.