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Another Name for Darkness
A lifetime buried in the mud, a shadow haunting your past, a creature built from offered scraps – there is something lurking in the dark! In this new collection, 15 writers explore the many shapes that darkness can take, from the monstrous to the stark realities of loss and heartbreak. In tales that embrace both the mundane and the supernatural, nothing is impossible, and realities can be shattered and rebuilt for those willing to dare. With stories by Chase Anderson, Die Booth, Tabitha Carless-Frost, Matthew R. Davis, Tony Dunnell, James Dwyer, Seán Finnan, Sara Maria Greene, Michael Imossan, Jesse Krenzel, Chris Kuriata, Shelley Lavigne, e rathke, Sidney Stevens and Johanna Zomers.
Solid Objects Illustrated
In "Solid Objects" by Virginia Woolf, John seeks to escape from the realities of life by seeking purpose in the collection of esoteric objects. Woolf's condemnation of John's deeds is reflected in the destruction of his political career and his social life. Despite Charles's best efforts to serve as John's voice of reason, John continues to pursue unrealistic goals in a bid to achieve freedom and happiness.
The Planters of Colonial Virginia
The Planters of Colonial Virginia is a historical account on formation of Virginian aristocracy. The author deals with the genesis of colonial landowners who managed to make a fortune in a relatively short period of time thanks to cheap land and slave work-power. Contents England in the New World The Indian Weed The Virginia Yeomanry Freemen and Freedmen The Restoration Period The Yeoman in Virginia History World Trade Beneath the Black Tide
Akram Khan
Through seven key case studies from Khan's oeuvre, this book demonstrates how Akram Khan's 'new interculturalism' is a challenge to the 1980s western 'intercultural theatre' project, as a more nuanced and embodied approach to representing Othernesses, from his own position of the Other.
Deconstruction
Deconstruction: Theory and Practice has been acclaimed as by far the most readable, concise and authoritative guide to this topic. Without oversimplifying or glossing over the challenges, Norris makes deconstruction more accessible to the reader. The volume focuses on the works of Jacques Derrida which caused this seismic shift in critical thought, as well as the work of North American critics Paul de Man, Geoffrey Hartman, J. Hillis Miller and Harold Bloom. In this third, revised edition, Norris builds on his 1991 Afterword with an entirely new Postscript, reflecting upon recent critical debate. The Postscript includes an extensive list of recommended reading, complementing what was already one of the most useful bibliographies available.
