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Television talk shows have fueled debates about television's faltering role as a medium for social interaction, but this book points out that many viewers don't just absorb the shows; they react to them and even talk back to their televisions. By observing and analyzing the daily viewing habits of a dozen women viewers, Helen Wood interprets these experiences as daily rituals of self-reflexivity, focusing on the performance of gender as a doubling of place in contemporary conditions of modernity. Directly challenging the fundamental assumption that new media forms are uniquely interactive, Talking with Television reveals that televisual styles, particularly talk-based TV, have always sought to encourage a participatory relationship with viewers at home.
Flip through the channels at any hour of the day or night, and a television talk show is almost certainly on. Whether it offers late-night entertainment with David Letterman, share-your-pain empathy with Oprah Winfrey, trash talk with Jerry Springer, or intellectual give-and-take with Bill Moyers, the talk show is one of television's most popular and enduring formats, with a history as old as the medium itself. Bernard Timberg here offers a comprehensive history of the first fifty years of television talk, replete with memorable moments from a wide range of classic talk shows, as well as many of today's most popular programs. Dividing the history into five eras, he shows how the evolution of the television talk show is connected to both broad patterns in American culture and the economic, regulatory, technological, and social history of the broadcasting industry. Robert Erler's "A Guide to Television Talk" complements the text with an extensive "who's who" listing of important people and programs in the history of television talk.
The "talk show" has become a ubiquitous feature of American and European television. The various examples have been frequently discussed by academic commentators, as well as journalists in an attempt to place them in a cultural setting. Ultimately, the conclusion is reached by both academics and non-academics that talk shows matter because they are a focus for considerable public debate and are crucial to the landscape of popular television. All the variations of talk shows, from chat shows to celebrity interviews, have key elements in common: They all feature groups of guests, not individual interviewees, and they all involve audience participation. The studio audience is not only visible, ...
Section titles: How-tos -- Self and society -- Reality bites -- Fitness.
The ""talk show"" has become a ubiquitous feature of American and European television. The various examples have been frequently discussed by academic commentators, as well as journalists in an attempt to place them in a cultural setting. Ultimately, the conclusion is reached by both academics and non-academics that talk shows matter because they are a focus for considerable public debate and are crucial to the landscape of popular television.linebreakAll the variations of talk shows, from chat shows to celebrity interviews, have key elements in common: They all feature groups of guests, not i.
Vulture Culture presents a new and complex way of thinking about daytime television talk shows. Vulture culture is the process by which the media scavenge the personal narratives and popular discourses that make up everyday knowledge and commonsense and (re-)present them back to us as spectacle, entertainment, and information. This book explores these nuances through a probing analysis of the vast landscape of daytime television talk shows and their relation to important political, social, and economic problems. Using an approach that takes into account the multiple perspectives of political economy, cultural studies, and cultural pedagogy, Vulture Culture provides an in-depth and well-rounded examination of this mainstay of television and media culture.
Seminar paper from the year 2014 in the subject American Studies - Linguistics, grade: 2,3, University of Bonn, language: English, abstract: How do US-American and British TV show hosts of talk shows differ in terms of compliment use? In what part of the show, how often, on what topic and in which context do they use compliments? This paper aims at answering these questions with a focus on late-night talk shows, exemplarily shown with one episode in each case. The US-American late-night talk show that was chosen to take data from is The Tonight Show Starring Jimmy Fallon, the British counterpart that was picked for this compliment research is The Jonathan Ross Show, concentrating on the compliments of the hosts, namely Jimmy Fallon and Jonathan Ross. First there will be an overview of previous research on compliments on the one hand and talk shows on the other, coming to the method that has been chosen to gather the data, the structure of talk shows in general and in the case of the late-night talk shows this paper deals with, ending with presenting the results of this research on compliments.
When The Phil Donahue Show topped the ratings in 1979, it ushered in a new era in daytime television. Mixing controversial social issues, light topics, and audience participation, it created a new genre, one that is still flourishing, despite being harshly criticized, over two decades later. Now, the daytime TV landscape is littered with talk shows. But why do people watch these shows? How do they make sense of them? And how do these shows affect their viewers' sense of what constitutes appropriate public debate? In Talking Trash, Julie Engel Manga offers a fascinating exploration of these questions and reveals the wide range of reasons viewers are drawn to “trash talk.” Focusing on such...
The Talking Cure examines four nationally syndicated television talk shows--Donahue, The Oprah Winfrey Show, Geraldo and Sally Jessy Raphael--which are primarily devoted to feminine culture and issues. Serving as one of the few public forums where working-class women and those with different sexual orientations have a voice, these talk shows represent American TV at its most radical. Shattuc examines the tension between talk's feminist politics and the television industry, who, in their need to appeal to women, trades on sensation, stereotypes and fears in order to engender product consumption. However, this genre is not a one-way form of social interaction. The female audience complies and resists in a complex give-and-take, and it is this relationship which The Talking Cure aims to understand and reveal.