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Ukraine at a Crossroads
As the «Orange Revolution» has shown, modern-day Ukraine has undeniably come a long way since the dissolution of the Soviet Union. This volume contains papers delivered at conferences about Ukraine held at the University of Fribourg (Switzerland) in 2001 and 2002. Supplementary articles have been solicited from recognized experts in the field to provide a comprehensive picture of a country in transition and to explain some of the challenges of Ukraine's «New Deal».
Postmodernizing the Holocaust
Marta Tomczok presents all Polish postmodern novels about the Holocaust, starting with “The First Splendor” by Leopold Buczkowski and ending with “The Suspected Dybbuk” by Andrzej Bart. She also presents their rich relationships with selected foreign-language prose, which intensified especially at the turn of the 20th and 21st centuries. The culmination of the entire trend is a discussion around two novels: “Tworki” by Marek Bieńczyk and “Fly Trap Factory” by Andrzej Bart, which reveals the aestheticizing and post-memorial profile of Polish postmodernization and its advantage over the historiosophical trend. This monograph is not only the first such collection of post-Holocaust postmodern novels, but also the first comprehensive study of postmodernism in the literature about the Holocaust, which, thanks to comparative analysis, tries to analyze and explain the circumstances of the appearance and later disappearance of this trend from cultural landscape of the world and Poland.
The Post-Chornobyl Library
Honorable Mention - American Association for Ukrainian Studies (AAUS) 2018-2019 Book Prize Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library in Tamara Hundorova’s book becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma of the 26th of April, 1986. Ukrainian postmodernism turns into a writing of trauma and reflects the collisions of the post-Soviet time as well as the processes of decolonization of the national culture. A carnivalization of the apocalypse is the main paradigm of the post-C...
Revolution and War in Contemporary Ukraine
What are the reasons behind, and trajectories of, the rapid cultural changes in Ukraine since 2013? This volume highlights: the role of the Revolution of Dignity and the Russian-Ukrainian war in the formation of Ukrainian civil society; the forms of warfare waged by Moscow against Kyiv, including information and religious wars; Ukrainian and Russian identities and cultural realignment; sources of destabilization in Ukraine and beyond; memory politics and Russian foreign policies; the Kremlin’s geopolitical goals in its 'near abroad'; and factors determining Ukraine’s future and survival in a state of war. The studies included in this collection illuminate the growing gap between the political and social systems of Ukraine and Russia. The anthology illustrates how the Ukrainian revolution of 2013–2014, Russia’s annexation of the Crimean peninsula, and its invasion of eastern Ukraine have altered the post-Cold War political landscape and, with it, regional and global power and security dynamics.
Ukraine's Many Faces
Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture. With a foreword by Olesya Khromeychuk.
The Reception of East Slavic Literatures in the West and the East
This volume, edited by scholars from diverse backgrounds, stems from the original convergence of various geo-cultural viewpoints on the reception of East Slavic cultures and literatures (Russian, Ukrainian, Belarussian, Soviet): European viewpoints are juxtaposed with those of the Japanese, Chinese, Israeli areas. The volume offers a broad look at the history of the perception of these literatures in Europe, Italy, and East Asia (with special attention to their reception in Japan and China). Contacts, influences, meditations, and difficulties in the perception of literary and cultural phenomena are the subject of original comparative analyses. The vitality with which Slavic-Eastern literatures have found echoes in very distant environments, but also the evolution of the self-perception of Ukrainian literature over time, are among the topics.
Ukraine and Europe
Ukraine and Europe challenges the popular perception of Ukraine as a country torn between Europe and the east. Twenty-two scholars from Europe, North America, and Australia explore the complexities of Ukraine's relationship with Europe and its role the continent's historical and cultural development. Encompassing literary studies, history, linguistics, and art history, the essays in this volume illuminate the interethnic, interlingual, intercultural, and international relationships that Ukraine has participated in. The volume is divided chronologically into three parts: the early modern era, the 19th and 20th century, and the Soviet/post-Soviet period. Ukraine in Europe offers new and innovative interpretations of historical and cultural moments while establishing a historical perspective for the pro-European sentiments that have arisen in Ukraine following the Euromaidan protests.
Fatherhood in Contemporary Discourse
This volume offers a variety of perspectives on contemporary fatherhood: from analyses of literature, film, drama, and popular culture, to issues tackled by psychology, gender studies, and social sciences. Arranged into thematic sections, the chapters cover a wide range of approaches to fatherhood, including studies and analyses based on fieldwork and interviews with participants. Each chapter discusses various culture-dependent models of masculinity in relation to the topic of fatherhood depicted in works of literary and film art, emphasizing the crucial factors and features which make all these models different from one another and using examples of such cultural contexts as Australia, China, Indonesia, Brazil, and Iran. With the use of methodological tools provided by literature studies, film studies, culture studies, psychology, gender and queer studies, and sociology, the book is a comprehensive insight into current research on both real-life and fictional realizations of fatherhood.
The Intellectual as Hero in 1990s Ukrainian Fiction
The 1990s were a period of tremendous artistic vigour, experimentation, and liberation for Ukrainian culture. The artists who emerged at this time unleashed a tidal wave of creativity that deliberately and aggressively reshaped inherited models. In this first English monograph on contemporary Ukrainian literature, Mark Andryczyk provides an in-depth analysis of the cultural explosion that engulfed Ukraine in its first decade of independence. The Intellectual as Hero in 1990s Ukrainian Fiction weaves a fascinating narrative full of colourful characters by examining the prose of today's leading writers. Andryczyk delves into the role of the intellectual in forging a post-Soviet Ukrainian identity, and follows these protagonists as they soar and stumble in pursuit of redefining their creative realm. In addition to introducing readers to vibrant literary gems, this book explores the artistic tendencies that determined the course of the Ukrainian cultural scene in the 1990s, and continue to shape it today.
Underground Modernity
The literary scholar Alfrun Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the ‘father’ of Prague Underground, Egon Bondy, to the neo-Dada Club of Polish Losers in Berlin. The works she considers are "underground" in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of ‘Underground’ as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Su...
