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Blindsided
  • Language: en
  • Pages: 222

Blindsided

Notorious playboy Norris Converse is getting hit from all sides. A no-strings physical relationship has become a passionate love he never expected, and an ex-lover, who's leaving the country for six months, divulges he has a fifteen-year-old daughter she thinks it's time he got to know. Faced with the prospect of parenting an almost adult biracial daughter and being in love for the first time, Norris wants to settle down and have the domestic bliss his best friend enjoys. But the woman he loves, business savvy salon owner Dahlia Sinclair, is in no rush to be an 'us', and his newly found daughter isn't thrilled with making room for daddy. Being in constant contact while they engage in the unconventional co-parenting of his daughter, Norris and Dahlia are forced to deal with their personal insecurities as they confront the unlike- ly love that's left them both blindsided.

Choices
  • Language: en
  • Pages: 340

Choices

Choices is an engaging, light-hearted, contemporary story set in coastal South Carolina, where an African-American woman and Caucasian widower find love, opposition, and a surprising ally in the ghost of a deceased spouse. Lara Boyd is a woman who has lived the last six years happy in her career but unfulfilled in her personal life. An unanswered ultimatum given by her ex-fiancé left her uncertain and tentative, but when Ryan Andrews and his young son, Justin, enter her life, making choices and living with them takes on a whole new meaning.

Creative Women of the “Lost Generation”
  • Language: en
  • Pages: 245

Creative Women of the “Lost Generation”

This book explores the creative women of the "Lost Generation" including painters, sculptors, film makers, writers, singers, composers, dancers, and impresarios who all pursued artistic careers in the years leading up to, during, and following World War I. These women’s stories, and the art they created, commissioned, mobilized as propaganda, and performed shed light on the shifting nature of gender norms during this period. With the combined knowledge and expertise from different contributors, chapters in this book consider how modernist practices continued their development in women’s hands during the war through networks forged by and for women artists in the absence of their male col...

Not Quite Right
  • Language: en

Not Quite Right

When a beautiful network television journalist reports the murder of her best friend to a detective who wants to rule the death as a suicide, they work together to solve the case--and wind up falling in love. Original.

Women in Europe between the Wars
  • Language: en
  • Pages: 274

Women in Europe between the Wars

The central aim of this interdisciplinary book is to make visible the intentionality behind the 'forgetting' of European women's contributions during the period between the two world wars in the context of politics, culture and society. It also seeks to record and analyse women's agency in the construction and reconstruction of Europe and its nation states after the First World War, and thus to articulate ways in which the writing of women's history necessarily entails the rewriting of everyone's history. By showing that the erasure of women's texts from literary and cultural history was not accidental but was ideologically motivated, the essays explicitly and implicitly contribute to debate...

Catalog of Copyright Entries
  • Language: en
  • Pages: 1560

Catalog of Copyright Entries

  • Type: Book
  • -
  • Published: Unknown
  • -
  • Publisher: Unknown

None

Germaine Dulac
  • Language: en
  • Pages: 337

Germaine Dulac

Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulac’s passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory. In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length histor...

The Oxford Handbook of Silent Cinema
  • Language: en
  • Pages: 825

The Oxford Handbook of Silent Cinema

  • Categories: Art

The Oxford Handbook of Silent Cinema is a collection of new scholarship that investigates the first decades of motion-picture history from diverse perspectives and methodologies. Featuring over thirty essays by leading scholars in the field, the Handbook offers a comprehensive overview of cinema's earliest years while also illuminating how cinema derived strength from competing cultural forms, becoming in the process the most influential mass medium of the early twentieth century.

1989 Chacahoula
  • Language: en
  • Pages: 408

1989 Chacahoula

None

Whatever Happened to Regular T.V.
  • Language: en
  • Pages: 48

Whatever Happened to Regular T.V.

Two women who think they are going on a reality show find out that more is at stake than winning a million dollars. When faced with mysterious deaths, they must use reason and wit to unearth whatas really going on. Discover how these two women are able to stay cool and collected in the midst of chaosaand have the time of their lives! Theyall make new and unlikely friends, learn survival skills, and enjoy a short vacation from their usual lives free from husbands and kids.