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The Telfair Museum of Art’s Owens-Thomas House in Savannah, Georgia, is considered one of the finest examples of Regency architecture in the United States. Named a National Historic Landmark in 1976 and listed in the National Register of Historic Places in 1977, the Owens-Thomas House was designed by British architect William Jay and was built from 1816 to 1819. In addition to its architectural significance, the house features fine furnishings and decorative arts from the early nineteenth century. The house’s rare two-story urban slave quarters alone make it a must-see stop on any tour of historic downtown Savannah. The Owens-Thomas House boasts a storied past with political triumphs and personal tragedies, offering visitors unique insight into a young American world as it evolved in the early nineteenth century.
A richly illustrated, accessibly written book with a variety of perspectives on slavery, emancipation, and black life in Savannah from the city's founding to the early twentieth century. Written by leading historians of Savannah, Georgia, and the South, it includes a mix of thematic essays focusing on individual people, events, and places.
This insightful and beautifully illustrated book offers the first feminist analysis of the phenomenon of women art collectors in America. Dianne Sachko Macleod brings a surprising paradox to light, showing that collecting, which provided wealthy women with a private sense of solace, also liberated them to venture into the public sphere and make a lasting contribution to the emerging American culture. Beginning in the antebellum period, continuing through the Gilded Age, and reaching well into the twentieth century, Macleod shows how elite women enlisted the objets d'art and avant-garde paintings in their collections in causes ranging from the founding of modern museums to the campaign for women's suffrage.
The Andrew Low House was the Savannah, Georgia, marriage home of Juliette Gordon Low, founder of the Girl Scouts, and was visited by the likes of William Makepeace Thackeray and Robert Lee. Built on a trust lot facing Lafayette Square, the house is now owned by The National Society of The Colonial Dames of America in the State of Georgia and is open as a house museum. Tania June Sammons takes readers through the house room by room, relating the history of the Low family and the enslaved people who served them. The house preserves one of the finest collections of period furnishings relating to the history of Savannah, including furniture, silver, porcelain, and paintings by some of America’...
Philosophy in the Islamic World is a comprehensive and unprecedented four-volume reference work devoted to the history of philosophy in the realms of Islam, from its beginnings in the eighth century AD down to modern times. The focus of this fourth installment of the series, divided into two volumes, is the 19th and 20th centuries and geographically on the Arab countries, the Ottoman-Turkish region, Iran, and Muslim South Asia. During this time philosophy was pursued at Islamic institutions and increasingly in Western-style universities, but philosophy also had an impact beyond academia. In each chapter, an international expert on philosophy in this period explores the teachings of individua...
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In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
A comprehensive illustrated biography of Kahlil Gibran, Lebanese-American artist, poet and author of the best-selling inspirational fiction The Prophet. Kahlil Gibran was a Lebanese-born artist, poet, writer and polymath who emigrated to America as a young man in the 1890s, where he became a successful artist and prose poet. His book The Prophet (1923), a series of twenty-six philosophical essays written in poetic English prose became a world-wide bestseller after a sluggish start, selling 40 million copies, and becoming a particular favourite of the 1960s counterculture. As a writer, Gibran encouraged a renaissance in Arab literature; as an artist he painted hundreds of canvases including portraits of artistic celebrities. Raised a Maronite Catholic, his spirituality thought embraces elements of other traditions including Sufi mysticism and the Baha'i faith.
Comprising two essays, this book features the Telfair's collection of work by and about Gibran, the largest holding in the United States, which spans Gibran's career from his first major exhibition at photographer Frederick Holland Day's studio in Boston in 1904 to works created during the last years of his life.
Ever since his best-selling book The Prophet was first published in 1923, Kahlil Gibran has been enchanting spiritually inclined readers with his dogma-free writings so rich with insight, wisdom, beauty, and truth. In this companion collection of little-known writings taken from his published works in Arabic, Gibran encourages us to bravely face life's hardships, and to continuously cultivate a rich inner life to set our moral compasses by. In Visions of the Prophet, Gibran's narrator wrestles with the hypocrisies of Christianity ("Mad John," "The Man on the Cross") and challenges hypocrisy ("Kahlil the Ungodly"). He questions how children born of corrupt marriages and living in poverty can ever become soulful creatures ("The Sister Soul," "The Woman of Tomorrow") and urges us to develop our souls ("Solitude and Isolation"). The one-act dramatic play "The Many-Columned City of Iram" shows a Sufi master, a female sage, and a seeker having a heartfelt discussion about the natures of faith and reality. Containing some of his most intellectually challenging work, Visions of the Prophet reveals a Gibran more vehement and vulnerable than in previous publications.