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The History Of TamilNadu Kings (Cholas,Nayakas) and accomplishments during their rule,with the Brief history of The Great Maratha warrior Chatrapathi Shivaji,his son Dharmaveer Sambhaji, their spiritual guru Samartha Ramdas and their visit to Tamilnadu has been included . Thanjavur was ruled by Maratha kings for 180 years and they had a vast accomplishments in many fields and were scholars themselves.History of Thanjavur Marathas has been included. King Serfoji II who was a Bibliophile developed arts,culture and literature and one of the present world largest library, SARASWATI MAHAL is named after him. Brief historical detail on Indian Classical art form-Bharatanatyam has also been written....
'Unfinished Gestures' presents the social and cultural history of courtesans in South India, focusing on their encounters with colonial modernity in the 19th and early 20th centuries.
"Part of the 'Ramayana of Valmiki', this book recounts the adventures of the monkey hero Hanuman in leaping across the ocean to the island citadel of Lanka. It describes the opulence of the court of the demon king, Ravana, the beauty of his harem, and the deformity of Sita's wardresses. It contains an introduction, notes, and a bibliography." --
In the early nineteenth century, the south Indian kingdom of Tanjore, which had come under the control of the East India Company, flourished as a ‘centre’ of enlightenment. This book traces the contours of the Tanjore enlightenment, which produced a knowledge that was at once modern and deeply rooted in the indigenous tradition. The chief protagonist of this first ever full-length study on Tanjore at the turn of the nineteenth century is Raja Serfoji II (r. 1798–1832), in whose world science and God coexisted comfortably. Tanjore at this time was a thriving contact-zone, linked to several centres through extensive local and global networks. Its court attracted a great number of visitor...
Poetry and music have always been important parts of Tamil literature and from early times, Tamil poetry has been sung. It is not surprising, therefore, to find a number of operatic genres in Tamil literature. One of these is ‘kuṟavañci’, which was especially popular in the seventeenth to nineteenth century. In kuṟavañci, poetry and music are combined with dance to form highly entertaining works, in which serious parts are interspersed with humorous ones. This study deals with this fascinating opera-form. It gives an account of the stories told in these operas and of the various embellishments used in telling them. There is a large section on the poetical and musical forms used, explaining their construction and analysing their use. Several examples of verses and songs are included.