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Georgia O'Keeffe / John Loengard
In June 1966, photographer John Loengard was asked by Life magazine to photograph Georgia O'Keeffe in New Mexico, where she had been living since the late 1930s. Georgia O'Keeffe was 79 years old at the time, Loengard was 32, and for three days he observed and photographed the private life of this pioneer artist who virtually redefined American painting. For this unique book, we selected almost fifty of the finest black-and-white pictures Loengard took of the grand, solitary woman in the desert, and juxtaposed them with selected paintings of hers. They record the course of a day in the life of Georgia O'Keeffe from sunrise to sunset, developing their own quiet, mysterious effect. It becomes clear how much the austere poetry of the landscape corresponded to the artist's own self-created world and how her artistic imagination was kindled by bleached bones and an infinite desert. Now available as a reduced size reprint.
Elective Affinities
This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today's word and image studies. The essays were first presented in 2005 at an international conference.
Georgia O'Keeffe
Georgia O'Keeffe was one of the foundational figures of American modernism. A seminal woman artist, she rose to prominence in the early 20th century at the heart of the New York avant-garde circle that centred around Alfred Stieglitz, who would become O'Keeffe's husband. Many contemporary texts, as well as those written since, focus on their personal and professional relationship, and have re-hashed familiar cliches about O'Keeffe's work, particularly her best-known paintings of flowers. As this new book reveals, however, she was a complex and multi-faceted artist whose singular vision included landscapes, nature studies, still lifes and anthropological paintings, and who constantly experimented at the boundary between figuration and abstraction.
Afro-Modern: Journeys Through the Black Atlantic
Published on the occasion of the exhibition at Tate Liverpool, 29 January until 25 April 2010.
The Worlds of American Intellectual History
The Worlds of American Intellectual History follows American thinkers and their ideas as they have crossed national, institutional, and intellectual boundaries. The volume explores ways in which American ideas have circulated in different cultures. It also examines the multiple sites--from social movements, museums, and courtrooms to popular and scholarly books and periodicals--in which people have articulated and deployed ideas within and beyond the borders of the United States.
Feminism, Literature and Rape Narratives
The essays in this volume discuss narrative strategies employed by international writers when dealing with rape and sexual violence, whether in fiction, poetry, memoir, or drama. In developing these new feminist readings of rape narratives, the contributors aim to incorporate arguments about trauma and resistance in order to establish new dimensions of healing. This book makes a vital contribution to the fields of literary studies and feminism, since while other volumes have focused on retroactive portrayals of rape in literature, to date none has focused entirely on the subversive work that is being done to retheorize sexual violence. Split into four sections, the volume considers sexual vi...
Walking
Walking surveys the proliferation of pedestrian practices across contemporary art, taking an avowedly political stance on where and how the three practices of art, walking, and writing intersect. Across the world, walking is a vital way to assert one’s presence in public space and discourse. Walking maps the terrain of contemporary walking practices, foregrounding work by Black artists, Indigenous artists and artists of colour, working-class artists, LGBTQI+ artists, disabled artists and neurodiverse artists, as well as many more who are frequently denied the right to take their places in public space, not only in the street or the countryside, but also in art discourse. This anthology con...
Text and Image in Women's Life Writing
This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women’s life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page.
LANDSCAPES
'Deftly textured with journal entries, narrative, art history and criticism. What emerges is a hypnotic novel that meditates on loss and violence. A gorgeous and accomplished debut. – Electric Literature> Set in a near-future fraught with ecological collapse, Christine Lai's mesmerising and prismatic debut novel Landscapes is a brilliant exploration of memory, empathy, preservation, and art as an instrument for recollection and renewal. In the English countryside—decimated by heat and drought—Penelope archives what remains of an estate's once notable collection. As she catalogues the library's contents, she keeps a diary of her final months in the dilapidated country house that has bee...
Selling Black Brazil
In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with Afro Brazilian religious communities of Candomblé to promote their culture and their city. These efforts combined with a growing promotion of tourism to transform what had been one of the busiest slaving depots in the Americas into a popular tourist enclave celebrated for its rich Afro-Brazilian culture. Vibrant illustrations and texts by the likes of Jorge Amado, Pierre Verger, and others contributed to a distinctive iconography of the city, with Afro-Bahians at its center. But these optimistic visions of inclusion, Romo reveals, concealed deep racial inequalities. Illustrating how these visual archetypes laid the foundation for Salvador’s modern racial landscape, this book unveils the ways ethnic and racial populations have been both included and excluded not only in Brazil but in Latin America as a whole.
