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Giovanni Canavesio, an artist-priest active in the last decades of thefifteenth century in the Southern Alps, left behind a significant body ofwork, including pictorial cycles and altarpieces. This book is anin-depth analysis of his cycle on the Passion of Christ, completed in1492 on the walls of the pilgrimage sanctuary of Notre-Dame desFontaines, outside the southern French town of La Brigue. VeroniquePlesch provides a detailed analysis of Canavesio's complex andpowerful Passion cycle - the formal means he used to convey content, the significance of the order of scenes, the iconography of depictions, the textual insertions of speech-scrolls and labels in the paintings, andthe relationship of the painted ensemble with preachin
The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies.
'Selling Jerusalem' offers an introduction to the explosive combination of piety and capital at work in religious objects and global politics. It is sure to interest students and scholars of art history, economic history, popular culture, religion, and architecture.
Cultural Identity and Postmodern Writing seeks to ascertain the relationship obtaining between the specific form postmodernism assumes in a given culture, and the national narrative in which that culture traditionally recognizes itself. Theo D’haen provides a general introduction to the issue of “cultural identity and postmodern writing.” Jos Joosten and Thomas Vaessens take a look at Dutch literature, and particular Dutch poetry, in relation to “postmodernism.” Robert Haak and Andrea Kunne do the same with regard to, respectively, German and Austrian literature, while Roel Daamen turns to Scottish literature. Patricia Krus discusses postmodernism in relation to Caribbean literature, and Kristian van Haesendonck and Nanne Timmer turn their attention to Puerto Rican and Cuban literature, while Adriana Churampi deals with Peruvian literature. Finally, Markha Valenta investigates the roots of the postmodernism debate in the United States. This volume is of interest to all students and scholars of modern and contemporary literature, and to anyone interested in issues of identity as linked to matters of culture.
Biblical interpretation is not simply study of the Bible's meaning. This volume focuses on signal moments in the histories of scriptural interpretation of Judaism, Christianity, and Islam from the ancient period to the early modern, and shows how deeply intertwined these religions have always been.
The first accessible reader on magic’s generative relationship with contemporary art practice. From the hexing of presidents to a renewed interest in herbalism and atavistic forms of self-care, magic has furnished the contemporary imagination with mysterious and often disorienting bodies of arcane thought and practice. This volume brings together writings by artists, magicians, historians, and theorists that illuminate the vibrant correspondences animating contemporary art’s varied encounters with magical culture, inspiring a reconsideration of the relationship between the symbolic and the pragmatic. Dispensing with simple narratives of reenchantment, Magic illustrates the intricate ways...
Performing conquest : the Jémez Matachines dances -- Selective histories : Albany's Pinkster -- Festival -- Philadelphia's Mummers and the Anglo-Saxon revival -- Reinventing tradition: Brooklyn's Saint play -- America's passion plays -- Medieval plays and medievalist players.
"Brimming with examples from across the artistic spectrum, this is the perfect primer to hook future art enthusiasts." Publishers Weekly Interested in art but feel under-informed? Curious but afraid you might not “get” it? Already a fan and wishing to immerse yourself in a fun, engaging, informative and informed read that will refresh and top up your Art History 101 and Introduction to Art courses from college? The 12-Hour Art Expert: Everything You Need to Know about Art in a Dozen Masterpieces avoids the common approach of throwing hundreds of images at a reader and expecting them to learn from and memorize them all. Instead, the book will guide its readers through a brief series of ma...
Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production.
In Europe within Reach Gerrit Verhoeven traces some sweeping evolutions in the early modern travel behaviour of Dutch and Flemish elites (1585-1750), as the classical Grand Tour was slowly but surely overshadowed by other types of travelling. Leisure trips to Paris, London or Berlin, a cours pittoresque along the Rhine, domestic trips in the Low Countries and a series of other destinations gained ground, while new sorts of travellers cropped up: female and middle-class travellers, domestic servants, children, youngsters and the elderly. Verhoeven does not only trace these evolutions, but also explains why Netherlandish travellers gradually turned into art connoisseurs; why they were spellbound by sites of memory and by rugged landscapes; or why all sorts of fashionable gadgets and thingies were bought on the way.