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The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing lit...
Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation.
This study traces the steady decline of classical authority in English literature from the mid-seventeenth century and the role of translation in shifting the emphasis away the classical learning. The author focuses on Virgil, once the most revered of poets but also explores the fate of some of his fellow Ancients.
"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.
Hailed by Plato as the “Tenth Muse” of ancient Greek poetry, Sappho is inarguably antiquity’s greatest lyric poet. Born over 2,600 years ago on the Greek island of Lesbos, and writing amorously of women and men alike, she is the namesake lesbian. What’s left of her writing, and what we know of her, is fragmentary. Shrouded in mystery, she is nonetheless repeatedly translated and discussed – no, appropriated – by all. Sappho has most recently undergone a variety of treatments by agenda-driven scholars and so-called poet-translators with little or no knowledge of Greek. Classicist-translator Jeffrey Duban debunks the postmodernist scholarship by which Sappho is interpreted today an...
This volume is dedicated to Professor Hans Renders, founder of the Biography Institute of the University of Groningen, the Netherlands. Throughout his academic career, Renders witnessed a reflexive turn in historical research: biographers became more open about the limitations of their sources, and the subjective nature of their selection. Over this same period, however, the availability of digital sources has increased exponentially, which has profound implications for biographical research and the transnational framework used to approach the genre. Through its thirteen thought-provoking essays, this work seeks to make an intervention in Biography Studies by bringing the well-developed reflexive tradition to bear on the pressing challenge of proliferating digitized sources.
VIRGIL “A truly useful introduction to Vergil and his poetry. Smith combines up-to-date information on the issues with an intelligent and well-written assessment. Highly recommended.” Karl Galinsky, University of Texas at Austin “For the newcomer to Virgil, this book will be a welcome introduction to the poet’s works and their reception by critics, artists, and scholars through the centuries.” Peter E. Knox, University of Colorado, Boulder Incorporating the most up-to-date classical scholarship, Virgilian scholar R. Alden Smith presents a comprehensive introduction to Virgil’s literary works and narrative technique. In addition to exploring the historical milieu, this book consid...
This book contains Charles Burney's letters from the age of 74 to 80, a period during which he retired from teaching but, far from slowing down despite frequent bouts of illness, continued to write, publishing his last book, Memoirs of the Life and Writings of the Abate Metastasio, and writing 1,752 general music articles and musical biographies for Rees's Cyclopaedia in a mere four years. Discussions of musical matters in these range from deliberations of foreign instruments to theoretical concerns such as the doctrine of the Trinity applied to music, to the history of dramatic music in Italy, and to more mundane technical matters such as the origins of ledger lines and the staff. Although ...