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A Generation of Revolutionaries
“Anyone interested in digging deeper into some of the less-examined facets of late imperial and early Soviet Russia will be well rewarded.” —American Historical Review Nikolai Charushin’s memoirs of his experience as a member of the revolutionary populist movement in Russia are familiar to historians, but A Generation of Revolutionaries provides a broader and more engaging look at the lives and relationships beyond these memoirs. It shows how, after years of incarceration, Charushin and friends thrived in Siberian exile, raising children and contributing to science and culture there. While Charushin’s memoirs end with his return to European Russia, this sweeping biography follows this group as they engaged in Russia’s fin de siècle society, took part in the 1917 revolution, and struggled in its aftermath. A Generation of Revolutionaries provides vibrant and deeply personal insights into the turbulent history of Russia from the Great Reforms to the era of Stalinism and beyond. In doing so, it tells the story of a remarkable circle of friends whose lives balanced love, family, and career with exile, imprisonment, and revolution.
Writing Russian Lives
Like many genres, biography came belatedly to Russia. As with other such late arrivals, biography underwent intensive growth in quantity, sophistication, cultural significance and popularity from the era of Nicholas I onwards. It stands today as a dominant force in post-Soviet publishing. Yet studies of Russian biography’s poetics and its role as a literary and cultural institution in the nineteenth and twentieth centuries remain thin on the ground, a fact often lamented, yet not fully addressed, in the scattered writings on the subject. The present volume examines modern Russian biography as a literary form, a publishing phenomenon and a cultural force that reveals and contests hegemonic ideas of the role of the individual in society, and of the make-up of the human personality itself.
Dynasty Divided
Winner of the W. Bruce Lincoln Book Prize Dynasty Divided uses the story of a prominent Kievan family of journalists, scholars, and politicians to analyze the emergence of rivaling nationalisms in nineteenth-century Ukraine, the most pivotal borderland of the Russian Empire. The Shul'gins identified as Russians and defended the tsarist autocracy; the Shul'hyns identified as Ukrainians and supported peasant-oriented socialism. Fabian Baumann shows how these men and women consciously chose a political position and only then began their self-fashioning as members of a national community, defying the notion of nationalism as a direct consequence of ethnicity. Baumann asks what made individuals i...
From the Holy Roman Empire to the Land of the Tsars
Presenting a broad panorama of society and culture in the German lands and Russia from the Enlightenment to the breakthrough of modernity, this microhistory of one extraordinary family explores how the lives of individual people are entangled with the great forces of their age.
Photographing Central Asia
This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the dif...
Beyond Memory
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processe...
Taking the Alhambra to St. Petersburg
Ein wenig bekanntes Phänomen innerhalb des sogenannten Maurischen Revivals ist die intensive Auseinandersetzung russischer Architekten mit der ibero-islamischen Architektur, insbesondere mit den mittelalterlichen Nasridenpalästen der Alhambra in Granada. Die materialreiche Studie analysiert orientalisierende Bauwerke und Interieurs des 19. Jahrhunderts in St. Petersburg und zeichnet die Transferwege nach, über die das Formenvokabular der Alhambra von Spanien nach Russland gelangte. Sie bezieht wesentliche Aspekte der russischen Kulturgeschichte und der europäischen Orient-Vorstellungen des 19. Jahrhunderts mit ein und zeigt, dass russische Architekten und die Kaiserliche Akademie der Künste zu den Pionieren des Maurischen Revivals gehörten. Erstmalige Betrachtung der orientalisierenden Architektur St. Petersburgs im gesamteuropäischen Kontext Russische Architekten als Pioniere des Maurischen Revivals
Historical and Cultural Transformations of Russian Childhood
Historical and Cultural Transformations of Russian Childhood is a collection of multidisciplinary scholarly essays on childhood experience. The volume offers new critical approaches to Russian and Soviet childhood at the intersection of philosophy, literary criticism, film/visual studies, and history. Pedagogical ideas and practices, and the ideological and political underpinnings of the experience of growing up in pre-revolutionary Russia, the Soviet Union, and Putin’s contemporary Russia are central venues of analysis. Toward the goal of constructing the "multimedial childhood text," the contributors tackle issues of happiness and trauma associated with childhood and foreground its fluidity and instability in the Russian context. The volume further examines practices of reading childhood: as nostalgic text, documentary evidence, and historic mythology. Considering Russian childhood as historical documentation or fictional narrative, as an object of material culture, and as embodied in different media (periodicals, visual culture, and cinema), the volume intends to both problematize but also elucidate the relationship between childhood, history, and various modes of narrativity.
A Woman's Kingdom
Marrese traces the extension of noblewomen's right to property and places this story in the broader context of the evolution of private property in Russia before the Great Reforms of the 1860s."--BOOK JACKET.
Revising the Revolution
The clash between scholarship and politics—between truth and propaganda—was ruthless for historians in Istpart, the Russian Communist Central Committee's official historical department. Istpart was tasked with preserving the documentary record, compiling memoirs, and upholding ideological conformism within the national narrative of the 1917 revolution. In Revising the Revolution, Larry E. Holmes examines the role of Istpart's historians, in both the Moscow office and a regional branch in Viatka, who initially believed they could adhere to the traditional standards of research and simultaneously provide a history useful to the party. However, they quickly realized that the party rejected any version of history that suggested nonideological or nonpolitical sources of truth. By 1928, Istpart had largely abandoned its mission to promote scholarly work on the 1917 revolution and instead advanced the party's master narrative. Revising the Revolution explores the battle for the Russian national narrative and the ways in which history can be used to centralize power.
