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Alan Birkelbach
Birkelbach writes of the Texas landscape and its people with conversational ease, making his vivid descriptions shimmer through each poem. He balances the ordinary and the phenomenal, the factual and the suppositional, the temporal and the eternal in poems remarkable for their depth of insight. As Billy Bob Hill writes in his introduction to the volume, Birkelbach can disguise a mosaic of word music in plain sight hidden in conversational English.
Red Steagall
Red Steagall brings the cowboy way of life to the public through many different media, including poetry. His poetry speaks in its own right, possessing a musical, songlike quality. His lilting rhythms carry the reader through the journey that each poem represents. Steagall's poems chart the changing of the land and the passing of generations, but they rest on the solid ground of a steady faith.
Jenny Browne
In her introduction to Jenny Browne's New and Selected Poems, Naomi Shihab Nye writes, "The poems are switchboards of care extending in so many directions, beamed up to high, but always with the subtlety of idiosyncratic awareness--it's fascinating to fathom how she gets from one place to another. A startle, a dazzle of impulses enlivening the spirit . . . ." Browne's poems ask personal questions: How did we get here? Where are we going? Can we walk there together? From love letters to strangers to extended meditations on slow-moving rivers, these poems surprise in their fidelity to the strangeness of being alive. In the new poems included here, this heightened awareness is set against the landscape of a planet undergoing global climate change, quickly becoming inhospitable. Resisting the poles of paralysis and apocalypse, Browne travels through extreme and unfamiliar landscapes, considering the unthinkable, negotiating the past, and ultimately reimagining the future and our human place in it.
Jenny Browne
In her introduction to Jenny Browne’s New and Selected Poems, Naomi Shihab Nye writes, “The poems are switchboards of care extending in so many directions, beamed up to high, but always with the subtlety of idiosyncratic awareness—it’s fascinating to fathom how she gets from one place to another. A startle, a dazzle of impulses enlivening the spirit . . . .” Browne’s poems ask personal questions: How did we get here? Where are we going? Can we walk there together? From love letters to strangers to extended meditations on slow-moving rivers, these poems surprise in their fidelity to the strangeness of being alive. In the new poems included here, this heightened awareness is set against the landscape of a planet undergoing global climate change, quickly becoming inhospitable. Resisting the poles of paralysis and apocalypse, Browne travels through extreme and unfamiliar landscapes, considering the unthinkable, negotiating the past, and ultimately reimagining the future and our human place in it.
Selected Poems
Walt McDonald was named Texas State Poet Laureate in 2001. This is just one accolade in his distinguished writing career. He established the Creative Writing program at Texas Tech University, serving as poetry editor there from 1975 to 1995, and retired May 2002 as Paul Whitfield Horn Professor of English and Poet-in-Residence. He was a member of the literature advisory panel for the Texas Commission on the Arts from 1986 to 1988. He won four Western Heritage Awards from the National Cowboy Hall of Fame and six awards from the Texas Institute of Letters (including the Lon Tinkle Lifetime Achievement Award). McDonald also received the 2004 Texas Book Festival Bookend Award for a lifetime of c...
New and Selected Poems
As the 2010 Texas Poet Laureate, Karla K. Morton believes that poetry is everyone's art, and has carved her place in Texas Letters with this stunning collection. With well-loved titles such as "For Love and Michelangelo," "The Closer," "Why God Needs a Shotgun," "Alamo Coastline," "Woman in the Pipe Shop," and "When Texas No Longer Fits in the Glove Box," Morton's poetry will take you on a journey; her flowing style sparks memories and stirs emotions. Here's a short poem, inspired by a talk with her son, words of advice when he first fell in love: Don't Be Nervous when you see her. Don't worry about what you will say, or how you will say it. Just look at her, and wonder how your hand will fit in the small of her back; how many pins it takes to hold up her hair. . . It's no wonder Morton has been called "one of the more adventurous voices in American poetry . . ."
New and Selected Poems
For years Jan Seale's carefully crafted poetry has captivated audiences with its wit, sharp diction, and seamlessness. This eighth volume of the Texas Poets Laureate series discovers the eternal in the transient--coupling the mythological with the present, the spiritual with the sensual, the joyful with the sorrowful. This riveting collection of work, both new and old, celebrates her broad achievements as a poet. Designated the 2012 Texas Poet Laureate, Seale reveres poetry as "the most elegant and most historic of our verbal arts." Seale's lifelong love of poetry (she began writing at the age of six) is apparent in this volume. Her work has been described as whittled and sharp, witty and serious. Her precise diction and visual imagery probe themes that range from spiritual faith to women, family, aging, and nature itself. This collection of work is a testament to Seale's skill, craft, and dedication to the art of poetry.
New and Selected Poems
As the Texas Poet Laureate of 2000, James Hoggard writes beautifully on themes of love, loss, and nature. His unique voice, visual imagery, and carefully crafted syntax take his audience on a journey from Texas to Paris, Taos to Rome, and into their own pasts. Here's a brief poem titled "Drought" based on his experiences in the stark West Texas landscape. So go ahead and call this place the place that gets no rain because no rain falls here though memories say rains have been here - they've swept through ditches, they've flooded lawns and drowned roads so we've had rains, a lot of rains, and with rain winds strong enough to rip ceiling joists loose and hurl barn roofs away.
