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A groundbreaking biography of the mysterious Levantine prince Fakr ad-Din. The year is 1613: the Ottoman Empire is at its height, sprawling from Hungary to Iraq, Morocco to Yemen. One man dares to challenge it: the Prince of the mysterious Druze sect in Mount Lebanon, Fakhr ad-Din. Yielding before a mighty army sent to conquer him, he—astonishingly—takes refuge with the Medici in Florence at the height of the Renaissance. Fakhr ad-Din took along with him a diverse party of Moslem, Christian, and Jewish Levantines on their first visit to the “Lands of the Christians.” During his five-year stay in Italy, he fights to persuade Popes, Grand-Dukes and Viceroys to support a grand plan: a new Crusade to wrest the Holy Land from the Ottomans, giving Jerusalem back to Christendom and himself a crown. This groundbreaking biography of Fakhr ad-Din, Prince of the Druze, is based on the author’s vivid new translations of contemporary sources in Arabic and other languages. It brings to life one remarkable man’s beliefs and ambitions, uniquely illuminating the elusive interface between Eastern and Western culture.
This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite different from a binary story of simple opposition. The book’s point of departure narrates the relationship between images and conversions, analysing the mechanisms of hybridity, and proposing a new explanation for the representation of otherness as the complex outcome of a negotiation involving integration. Contributors are: Cristelle Baskins, Giuseppe Capriotti, Ivana Čapeta Rakić, Borja Franco Llopis, Francisco de Asís García García, Yonatan Glazer-Eytan, Nicola Jennings, Fernando Marías, Elena Paulino Montero, Maria Portmann, Juan Carlos Ruiz Souza, Amadeo Serra Desfilis, Maria Vittoria Spissu, Laura Stagno, Antonio Urquízar-Herrera.
"Grounded in new archival research documenting a significant presence of foreign and racially-marked individuals in Medici Florence, this book argues for the relevance of such individuals to the history of Western music and for the importance of sound-particularly musical and vocal sounds-to systems of racial and ethnic difference. Many of the individuals discussed in these pages were subject to enslavement or conditions of unfree labor; some labored at tasks that were explicitly musical or theatrical, while all intersected with sound and with practices of listening that afforded full personhood only to particular categories of people. Integrating historical detail alongside contemporary per...
Die International Bibliographiy of Historical Sciences verzeichnet jährlich die bedeutendsten Neuerscheinungen geschichtswissenschaftlicher Monographien und Zeitschriftenartikel weltweit, die inhaltlich von der Vor- und Frühgeschichte bis zur jüngsten Vergangenheit reichen. Sie ist damit die derzeit einzige laufende Bibliographie dieser Art, die thematisch, zeitlich und geographisch ein derart breites Spektrum abdeckt. Innerhalb der systematischen Gliederung nach Zeitalter, Region oder historischer Disziplin sind die Werke nach Autorennamen oder charakteristischem Titelhauptwort aufgelistet.
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"Lebanon has fallen prey to the rapacious appetites of most of the world's great powers - France, Ancient Egypt, Rome, Assyria, Alexander the Great, the Arabs, Crusaders, Persians, Mamlukes and Ottoman Turks. Vestiges of all these transient civilisations are still there: Phoenician tombs and Roman temples, Gothic castles, venerable mosques and churches all jostling for attention. The Lebanese themselves bear genetic witness to this history: dozens of ethnic and religious groups coexist uneasily, hemmed in between mountains and sea, stubbornly defending their rites and traditions in a mosaic-like society where politics informs religion and vice versa. Violence, beauty, poetry, struggle, humour, an occasional example of inspiring inter-cultural harmony - and bigotry - all are reflected through these writers' eyes."--Jacket.
Beirut has seen many armies and empires come and go, but the legacy of this long history is not so much in surviving monuments as in the quintessential Levantine spirit of the people. Beirut was the point of entry to the Levant for many Europeans and Americans undertaking a Grand Tour or a pilgrimage to the Holy Land, and visitors recorded their impressions of this effervescent port city where East rubs against West. A Beirut Anthology gathers the choicest of these from writers as diverse as Alphonse de Lamartine and Mark Twain.
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