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Contemporary Artists: L-Z
  • Language: en
  • Pages: 992

Contemporary Artists: L-Z

  • Categories: Art

Arranged alphabetically from Magdalena Abakanowicz to Tadaaki Kuwayama, this volume provides a biography of the artist, a selected list of exhibitions, a list of public collections that include work by the artist, and more.

Contemporary Artists
  • Language: en
  • Pages: 1068

Contemporary Artists

  • Categories: Art

None

Latin American and Caribbean Artists of the Modern Era
  • Language: en
  • Pages: 930

Latin American and Caribbean Artists of the Modern Era

  • Categories: Art
  • Type: Book
  • -
  • Published: 2003
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  • Publisher: McFarland

A large general bibliography is included."--BOOK JACKET.

Tempora
  • Language: en

Tempora

  • Type: Book
  • -
  • Published: 2010
  • -
  • Publisher: Unknown

None

The Past is the Present; It's the Future Too
  • Language: en
  • Pages: 359

The Past is the Present; It's the Future Too

  • Categories: Art

The term 'temporality' often refers to the traditional mode of the way time is: a linear procession of past, present and future. As philosophers will note, this is not always the case. Christine Ross builds on current philosophical and theoretical examinations of time and applies them to the field of contemporary art: films, video installations, sculpture and performance works. Ross first provides an interdisciplinary overview of contemporary studies on time, focusing on findings in philosophy, psychology, sociology, communications, history, postcolonial studies, and ecology. She then illustrates how contemporary artistic practices play around with what we consider linear time. Engaging the work of artists such as Guido van der Werve, Melik Ohanian, Harun Farocki, and Stan Douglas, allows investigation though the art, as opposed to having art taking an ancillary role. The Past is the Present; It's the Future Too forces the reader to understand the complexities of the significance of temporal development in new artistic practices.

Galería de palabras
  • Language: es
  • Pages: 231

Galería de palabras

En este libro Irene Artigas Albarelli, anteponiendo a la visión de los primeros analistas del relato que buscaban encontrar la "estructura de todos los relatos", la noción de lo escribible, la cual "está emparentada con –lo literario–, lo que sólo podemos atisbar", nos lleva por un recorrido ecfrástico (de ecfrasis: ek [afuera] y phrasein [decir, declarar, pronunciar]) en el que demuestra de una manera práctica la profunda relación entre la poesía y la crítica literaria. Así, en el vestíbulo de esta obra el lector encontrará una amplia y actualizada discusión sobre el viejo concepto de la ecfrasis –tan antiguo como la Ilíada misma– y sus distintas concepciones; para lue...

Contemporary Artists
  • Language: en
  • Pages: 1364

Contemporary Artists

  • Categories: Art

A thorough overview on more than 830 modern artists.

Tempora Mutantur
  • Language: en

Tempora Mutantur

  • Type: Book
  • -
  • Published: 1799
  • -
  • Publisher: Unknown

None

The Temporal Sovereignty of the Popes ... Discussed Historically
  • Language: en
  • Pages: 360

The Temporal Sovereignty of the Popes ... Discussed Historically

  • Type: Book
  • -
  • Published: 1856
  • -
  • Publisher: Unknown

None

O TEMPORA
  • Language: en
  • Pages: 32

O TEMPORA

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.