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This book offers a detailed exploration of the plot genotype, the functional structure behind the plots of classical fairy tales. By understanding how plot genotypes are used, the reader or creative writer will obtain a much better understanding of many other types of fiction, including short stories, dramatic texts and Hollywood screenplays.
The influence of the Bridge House as a seminal rock venue was massive not only in terms of British music history but also the impact it made on some vitally exciting new youth cults. U2 played their first London gig here, Iron Maiden and Dire Straits also cut their teeth on its stage, as did the Cockney Rejects.
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Volume contains: 129 NY APP 302 (Barry v. Coville) 129 NY APP 645 (Curtis v. Murphy) 129 NY APP 646 (Dolan v. City of Bklyn) 129 NY APP 646 (Axt v. Shankey) 129 NY APP 647 (U.S. Nat'l Bk v. Nat'l Pk Bk of N.Y.) 131 NY APP 72 (Zabriskie v. Central Vermont R.R. Co.)
In the broadest treatment yet of suicide in Europe during the period 1500-1800, eleven authors combine elements of social, cultural, legal, and intellectual history to trace important changes in the ways Europeans experienced and understood voluntary death. Well into the seventeenth century, Europeans viewed suicide as a terrible crime and an unforgivable sin resulting from demonic temptation. By the late eighteenth century, however, suicide was rarely subject to judicial penalties, and society tended to blame self-inflicted death on insanity rather than on the devil. From Sin to Insanity shows that early modern Europe witnessed nothing less than the birth of modern suicide: increasing in fr...